This collection contains four main sections, the first twenty-nine previously published works (including the poems “The Bear,” “The Angle of Geese,” and “The Gourd Dancer”) and the last twenty-seven new poems. The middle sections are “The Strange and True Story of My Life with Billy the Kid” (a set of verses written by the nineteen-year-old Navajo-Kiowa shaman named Grey in The Ancient Child) and the shield poems.
Momaday contrasts death in nature with mainstream ideas of death in “Angle of Geese,” pays homage to his grandfather and the traditions by which he lived in “The Gourd Dancer,” and explores the nature of myth in the Billy the Kid poems. A New Mexico legend, Billy the Kid embodies the violence of the Old West (his eyes are without expression) and the seductiveness of the outlaw hero, but he offers no future despite his occasional sensitivities (such as coming prepared with a plug of tobacco to share with an elderly friend when he himself does not chew tobacco). The poems trace Henry McCarty/Billy the Kid’s progress toward his destiny, the final meeting with Pat Garrett.
The imagistic prose collection entitled “A Gathering of Shields” begins with a tribute to the spiritual, cultural, and artistic value of the Plains Indian shield and includes ink drawings of the shields gathered for a ritual ceremony. The stories number sixteen, an intentional heightening of the power of the sacred number four....
(The entire section is 525 words.)