Summary
AUTHOR: Brown, Chester
ARTIST: Chester Brown (illustrator)
PUBLISHER: Drawn and Quarterly
FIRST SERIAL PUBLICATION: 1990 (Yummy Fur, issues 21-23)
FIRST BOOK PUBLICATION: 1992
Overview
The graphic novel The Playboy by Chester Brown is a vivid autobiographical exploration of his adolescent experiences with pornography and the accompanying emotional turmoil. Originally serialized in the contentious comic series Yummy Fur, Brown’s work paints a stark portrait of his internal struggles. The narrative spans from his teenage years to adulthood, intertwining themes of guilt, secrecy, and personal reflection.
Publication History
Chester Brown introduced The Playboy, initially known as “Disgust,” in the pages of his provocative comic, Yummy Fur, specifically in issues 21 through 23. Brown began self-publishing Yummy Fur as a minicomic between 1983 and 1986, later collaborating with publishers like Vortex Comics to expand it into a full-sized series by 1995. Over this period, he released thirty-two issues, with The Playboy emerging as a collection in 1992 under the aegis of Drawn and Quarterly, a publisher he partnered with after leaving Vortex in 1991. By 2011, The Playboy went out of print, joining other notable collections like Ed the Happy Clown and I Never Liked You, the latter of which was nominated for an Eisner Award.
Plot
The narrative of The Playboy delves into Brown’s personal account of his engagement with pornography, capturing his feelings of guilt and the anxiety of potential exposure. Structured mainly in two parts with an epilogue, the story begins in the summer of 1975. Here, an older, winged version of Chester Brown acts as a spectral guide for readers, representing the conscience of his younger self, who remains oblivious to this presence. The tale opens with the young Brown distracted in church by thoughts of a Playboy magazine glimpsed at a store, which leads to his cycle of purchasing, hiding, and destroying these magazines.
In the second part, young Brown attempts to eliminate any traces of his magazines by burning them in the family’s fireplace. His paranoia is palpable as he inspects the ashes for evidence, reflecting his fear of being discovered. Despite these efforts, his obsession continues, exacerbated by the tense atmosphere during a family vacation and compounded by the grief of losing his mother. Even after a close encounter with his brother Gordon, Brown attempts to curb his habit.
By 1982, with his first serious girlfriend, Kris, Brown disposes of his magazines, hoping that a romantic relationship will diminish his reliance on them. Yet, his older self admits a lingering preference for masturbation over intercourse, a reflection shared in the narrative. The epilogue transitions to 1990, where Brown questions his then-girlfriend Gerbs about a discarded magazine, ending with her assertion of his confusion.
Characters
- Chester Brown: The central character, Chester is portrayed as a shy, introspective teenager grappling with loneliness and pornography addiction.
- Gordon Brown: Chester’s younger brother, whose presence heightens Chester’s anxiety and fear of being caught.
- Kris: Chester’s first significant romantic partner, who represents a hope for change through a physical relationship.
- John: A friend of Chester’s who also hides a stash of pornography, mirroring Chester’s own secretiveness.
- Unnamed Friend: Appearing in the epilogue, this friend is unaware of Chester’s secret habit of repurchasing discarded magazines.
- Gerbs: Chester’s girlfriend in the epilogue, whom he suspects of retrieving an old Playboy from the trash.
Artistic Style
The Playboy is visually distinct with its striking white-on-black design, where imagery and text stand out against a dark backdrop. Chester Brown’s minimalist approach to shading emphasizes clean lines and generous white spaces. The layout is deliberately unconventional, with panels arranged asymmetrically, often...
(This entire section contains 981 words.)
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appearing small against the expansive black page. This design choice underscores the themes of exposure and vulnerability, mirroring Brown’s own feelings of isolation and self-consciousness.
Themes
Centrally, The Playboy is Chester Brown’s introspective journey, where secondary characters serve primarily as foils to his inner battles. The work examines Brown’s feelings of isolation, his difficulties with intimacy, and his overarching guilt. His reluctance to communicate is apparent as other emotions remain unexplored, save for guilt and shame. Racial undertones appear momentarily, revealing Brown’s discomfort when confronted with diversity. Even significant life events, like his mother’s death, are presented as background elements rather than pivotal moments.
The older Brown, depicted as a winged figure, evokes imagery akin to the angel and demon on a protagonist’s shoulders, injecting a layer of religious symbolism. The story begins with a church setting and includes spiritual motifs, such as Brown’s mother envisioned as an angel and the protagonist’s hands clasped in prayer-like gestures during masturbation.
Impact
Chester Brown’s The Playboy shares autobiographical elements with his later work, I Never Liked You, which also debuted in Yummy Fur. While both works focus on Brown’s formative years, I Never Liked You places more emphasis on his social interactions, steering away from the controversial themes present in The Playboy. Brown further explored religious themes in his adaptations of The Gospel of Mark and The Gospel of Matthew, which appeared in Yummy Fur and other subsequent works.
In 2011, he revisited autobiographical territory with Paying for It, a memoir addressing adult themes that echo those in The Playboy, yet delve into even more contentious aspects of his life.
Further Reading
- Brown, Chester. I Never Liked You (1994).
- Burns, Charles. Black Hole (1995-2005).
- Seth. It’s a Good Life, If You Don’t Weaken (1993-2003).
Bibliography
- Brown, Chester. “Chester Brown.” Interview by Nicolas Verstappen. du9: L’Autre Bande dessinée, August, 2008. http://www.du9.org/Chester-Brown,1030.
- Gallo, Don, and Stephen Weiner. “Bold Books for Innovative Teaching: Show, Don’t Tell—Graphic Novels in the Classroom.” English Journal 94, no. 2 (November, 2004): 114-117.
- Hatfield, Charles. “The Autobiographical Stories in Yummy Fur.” Comics Journal 210 (February, 1999): 67.
- _______. “Graphic Interventions: Form and Argument in Contemporary Comics.” Ph.D. diss., University of Connecticut, 2000.
Playboy, TheCritical Survey of Graphic Novels: Independents & Underground Classics Bart H. Beaty Stephen Weiner 2012 Salem Press