The anthology's ambition is to cater to a diverse range of interests, a goal that inherently carries the risk of leaving some readers unsatisfied. Enthusiasts of poetry that embraces end rhymes and regular rhythms might find the collection overly melodic, while those who treasure poetry addressing contemporary issues or possessing a social conscience might feel it lacks depth in these areas. For instance, the representation of African American poets is sparse, with noted contributors like Gwendolyn Brooks making only subtle allusions to the African American experience in the United States.

However, these critiques are more akin to minor quibbles than substantial criticisms. Nancy Larrick, the editor, provides ample material for more specialized interests across her various collections. Her work On City Streets (1968) is an ideal selection for readers seeking poetry that mirrors a modern-day landscape, notably enhanced by its incorporation of evocative photographs and selections made by over a hundred young individuals from inner cities and small towns. For those drawn to more provocative themes, Larrick’s collaboration with Eve Merriam, Male and Female Under Eighteen (1973), offers content that may challenge conventional boundaries, though the changing social contexts might render such works less timeless.

In contrast, Piping Down the Valleys Wild is poised to maintain its widespread appeal by striving to integrate poetry into daily life just as naturally as speaking or breathing. This anthology is a rich compilation of beloved verses, distinguished by their diversity in form, style, and subject matter. These qualities collectively define what makes for a compelling anthology, ensuring its relevance and charm endure across generations.