Pierre Criticism
- Principal Works
- Introduction
-
Essays
- From ‘Amor, Threatening’
- Melville's Use of Non-Novelistic Conventions in Pierre
- Melville's Pierre: At War with Social Convention
- Narrative Technique and Structure in Pierre
- Style and Tone in Melville's Pierre
- Melville's ‘Intentions’ in Pierre
- Sex, Toads, and Scorpions: A Study of the Psychological Themes in Melville's Pierre
- Why Pierre Went Wrong
- Coherence and Ambivalence in Melville's Pierre
- The Flawed Grandeur of Melville's Pierre
- That Profound Silence: The Failure of Theodicy in Pierre
- Melville's Pierre and the Psychology of Incongruity
- Pierre: Domestic Confidence Game and the Drama of Knowledge
- All's o’er and ye know him not’: A Reading of Pierre
- Pierre in the Domestic Circle
- Isabel's Story: The Voice of the Dark Woman in Melville's Pierre
- The Sentimental Education of Pierre Glendinning: An Exploration of the Causes and Implications of Violence in Melville's Pierre
- Why an Enthusiast?: Melville’s Pierre and the Problem of the Imagination
- Hearing Narrative Voices in Melville's Pierre
- Anti-Sentimentalism and Authorship in Pierre
- Herman Melville: The Subversive Lie of Expedient Truth in Pierre: Or, the Ambiguities
- Romancing the Stone: Melville's Critique of Ideology in Pierre
- Pierre, or, The Ambiguities: A Camp Reading
- Compromising Politics and Herman Melville's Pierre
- Melville's Pierre and Nervous Exhaustion; or, ‘The Vacant Whirlingness of the Bewilderingness’
- Pierre's Domestic Ambiguities
- Further Reading