Pierre Corneille Criticism
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Corneille, Pierre (Drama Criticism)
- Introduction
- Principal Works
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Criticism: General Commentary
- The Variants of Corneille's Early Plays
- Transformal Closures in Le Cid, Horace, Cinna, and Polyeucte
- Corneille's Early Comedies: Variations in Comic Form
- ‘They Have Their Exits and Their Entrances’: Stage and Speech in Corneille's Drama
- The Woman as Heavy: Female Villains in the Theater of Pierre Corneille
- Two Crowned Feminist
- Visual Effects and the Theatrical Illusion in Pierre Corneille's Early Plays
- Corneille's Clitandre and the Theatrical Illusion
- A Reading of La Veuve.
- Usurpation and Heroic Lies: A Baroque Dilemma in La Suivante
- Mythifying Matrix: Corneille's Médée and the Birth of Tragedy
- Payer or Récompenser: Royal Gratitude in Le Cid.
- Blood and Water in Horace: A Feminist Reading
- A Theatrical Reading of Cinna
- Polyeucte: A Flawed Masterpiece
- Comedy and Parody in Le Menteur.
- Visual Imagery and Christian Humanism in Rodogune
- Is Corneille's Œdipe Œdipal?
- Corneille in 1663: The Tragedy of Sophonisbe
- The Function of Vinius in Othon
- Further Reading
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Corneille, Pierre (Literary Criticism (1400-1800))
- Introduction
- Principal Works
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Criticism
- To an Author Who Asked My Opinion of a Play Where the Heroine Does Nothing But Lament Herself
- Corneille
- Final Estimate of Corneille: Fall of Classicism and Rise of Romanticism, Latest Developments
- The Great and Good Corneille
- Second Cycle: Corneille, the Sexuality of Le Cid
- Racine and the Tragedy of Sentiment
- The Realism of Corneille (1) Characters
- The Comic Illusion
- 'Suréna'
- An introduction to The Cid, Cinna, The Theatrical Illusion
- The Poetic Style of Corneille's Tragedies: An Aesthetic Interpretation
- Further Reading