Peter Matthiessen Biography


(Masterpieces of American Literature)
ph_0111226273-Matthiessen.jpg Peter Matthiessen Published by Salem Press, Inc.

Peter Matthiessen was born in New York City to Erard A. and Elizabeth C. Matthiessen on May 22, 1927. He developed his lifelong interest in nature and the environment early in life. His father, an architect, was a trustee of the National Audubon Society, and Peter soon developed a passion for the natural world, spending much of his youth in the Connecticut and New York countryside.

After serving in the United States Navy, Matthiessen attended the Sorbonne, University of Paris, from 1948 to 1949 and received a B.A. from Yale University in 1950. After teaching creative writing at Yale in 1950, he returned to Paris and developed friendships with a variety of American expatriate writers, including James Baldwin, Richard Wright, William Styron, Terry Southern, and Irwin Shaw. With Harold L. Humes, Matthiessen founded the Paris Review in 1951. He married Patricia Southgate in 1951; they divorced in 1958. In 1963 he married Deborah Love, who died in 1972. In 1980 he married Patricia Eckhart; they live on Long Island, New York.

While in Paris, Matthiessen wrote his first novel, Race Rock (1954). His other novels include Partisans (1955), Raditzer (1961), At Play in the Fields of the Lord (1965), Far Tortuga (1975), and a trilogy about the Florida Everglades, which includes Killing Mister Watson (1990), Lost Man’s River (1997), and Bone by Bone (1999). Matthiessen has published two collections of short stories, On the River Styx, and Other Stories in 1998 and Midnight Turning Gray in 1984.

Matthiessen worked as a commercial...

(The entire section is 678 words.)

Peter Matthiessen Biography

(Masterpieces of American Literature)

One of the most respected modern American writers expressing natural history and environmental concerns, Matthiessen focuses on threatened and vanishing environments and on human cultures. He sees modern technology as the chief threat and cause of destruction. He has traveled widely and brings his careful attention to everything that he observes and records. His writing is powerful and evocative, and does not shy away from unpleasantness. Matthiessen can hardly be called a writer of simple travelogues or “nature books, ”for his work also records his pursuit of moral vision, reflecting his own deep journeyings—interior explorations that take place while he contemplates and reports.

Peter Matthiessen Biography

(Survey of Novels and Novellas)

Peter Matthiessen was born in New York City on May 22, 1927, of a well-to-do, if not wealthy, family. His father, Erard A. Matthiessen, was a well-known architect and for many years a trustee of the National Audubon Society. His interest in nature and conservation was passed on to his son, and many of Peter Matthiessen’s essays were eventually published in the society’s magazine, Audubon. From childhood, Matthiessen was exposed to the New York world of literature and the arts. By the time he was sixteen, he had decided to become a writer. Following the path of many boys from prominent families, he was first educated at the Hotchkiss School, then at Yale University. He spent many of his summers on the Connecticut shore in the relatively exclusive society of friends from the New York intellectual world. “My first story,” he later said casually, “was published by my girl’s father”—Cass Canfield, then editor of Harper’s magazine.

Late in World War II, Matthiessen interrupted his education to join the U.S. Navy, an experience of mixed success, since he was demoted for disciplinary reasons, but one that gave him his first real experience of the life of the common man. He returned to Yale in 1947, continued his creative writing, and wrote about hunting and fishing for the Yale Daily News. He graduated from Yale in 1950, spent a year there as an instructor in creative writing, and moved to Paris, by then married to Patsy Southgate, the daughter of a socially prominent diplomat. The Matthiessens soon became the center of a glittering crowd of American expatriate intellectuals, including William Styron, James Jones, George Plimpton, James Baldwin, and Irwin Shaw. In 1951, with Harold L. Humes, Plimpton, and others, Matthiessen founded The Paris Review, which became one of the most influential literary magazines of the postwar era; for four decades, Matthiessen served as fiction editor for the magazine.

Matthiessen’s first novel, Race Rock, was written in Paris. It looks back to the world of Matthiessen’s youth: The characters are a group of disillusioned, upper-middle-class young people living on the New England coast. Aimless and confused by their meaningless lives, they stagnate, wallowing in their angst and neuroses. A reunion of childhood friends degenerates into an overflow of emotions and finally violence. Sadder but wiser, the survivors face an uncertain future, vowing to profit from their past mistakes and show maturity in the future.

In 1953, the Matthiessens returned to the United States and settled in East Hampton, Long Island, where Matthiessen divided his time between writing in bad weather and commercial fishing in good. His second novel, Partisans, appeared in 1955. It was an obvious product of Matthiessen’s knowledge of the avant-garde left wing that infested expatriate intellectual circles in the 1950’s. (Ironically, in the light of his later political commitments, it was rumored among the Paris Review crowd that Matthiessen was an agent of the U.S. Central Intelligence Agency, which would hardly have been surprising, considering his background and contacts.) Theprotagonist of Partisans is Barney Sand, a young American journalist and son of a diplomat, who is searching for a cause to which he can commit himself. With the pure idealism of a Grail knight, he scours the Paris slums seeking Jacobi, an old and deposed revolutionary who has been rejected by the Communist Party but who is the emblem of purity and integrity to Sand. Like Race Rock, Partisans is a kind of bildungsroman—that is, a novel in which a young person grows into maturity. In this case, the young...

(The entire section is 1520 words.)

Peter Matthiessen Biography

(Great Authors of World Literature, Critical Edition)

Peter Matthiessen (MATH-eh-suhn) is considered to be one of the foremost environmental writers of the twentieth century. Both his fiction and nonfiction devote themselves to considerations of environmental concerns and the impact of an explosion of technology on all cultures, but especially on those most threatened with extinction by the spread of industrial imperialism. Matthiessen was born in New York City to Erard and Elizabeth Matthiessen on May 22, 1927, and worked variously as a commercial fisherman and a captain of a deep-sea charter fishing boat. He attended the Sorbonne and received his bachelor’s degree from Yale University in 1950. Matthiessen participated in expeditions to such places as Alaska, the Canadian Northwest Territories, Peru, Nepal, East Africa, and New Guinea. These and other experiences—as well as his lifelong commitment to sharing his concern for the preservation of the wild in the world—inform all of his writings. Finally, Matthiessen frequently couples an external journey with an interior one toward self-awareness or psychic healing.

Matthiessen is particularly noted for his unflinching consideration of what the technocrats are doing or about to do to the world’s fragile system, particularly to those underdeveloped or undeveloped portions of the globe most vulnerable to the depredations of such things as clear-cutting, pollution, and overpopulation. Thus, the journeys that Matthiessen shares in his writings are meant to challenge readers to think about what they see when traveling in “exotic” places and to develop a shared concern for the continued well-being of a threatened environment, ecosystem, or ancient culture. His books reflect his fear that industrial greed threatens to eliminate cultures, creatures, and whole geographical areas. Such fiction as At Play in the Fields of the Lord and Far Tortuga as well as most of his nonfiction, such as Indian Country, Sand Rivers, and Men’s Lives, all adopt this perspective as their controlling focus. Matthiessen came to his interest in nature and the environment early in life. His...

(The entire section is 867 words.)