The richness and diversity of Siiskind's writing allow it to resonate with readers on multiple levels simultaneously. Its complexity invites a range of interpretations, often enhanced through analogy. Siiskind's fictional characters and episodes subtly suggest literary or historical figures and events. Additionally, his strong orientation toward literary traditions and occasional borrowing from other authors add further layers of meaning, often characterized as irony or parody.

1. The work has been widely praised as a social history. Which aspects of eighteenth-century Paris and France are depicted most vividly?

2. Is it justifiable to interpret the work as a political allegory addressing Adolf Hitler and the Third Reich, a subject that Siiskind implies all writers of his generation tackle, whether consciously or subconsciously?

3. What is the connection between Grenouille's lack of personal odor and his highly developed sense of smell?

4. Does the author effectively conclude his central character's story? Is the ending both aesthetically and psychologically satisfying?

5. Perfume is frequently compared to The Name of the Rose (1983; Nome della rosa, 1980) by Umberto Eco. Although the Italian novel is not a direct literary predecessor of Perfume, some similarities exist. Do these points of comparison seem valid to you?