Percy Bysshe Shelley

Percy Bysshe Shelley Criticism

• Shelley, Percy Bysshe (Nineteenth-Century Literary Criticism)
  • Introduction
  • Principal Works
  • Criticism
    • 'Mont Blanc' and Prometheus Unbound: Shelley's Use of the Rhetoric of Silence
    • Beatrice Cenci and the Tragic Myth of History
    • The Bifurcated Female Space of Desire: Shelley's Confrontation with Language and Silence
    • Out of the Veil of Ignorance: Agency and the Mirror of Disillusionment
    • ‘The Dark Idolatry of Self’: The Dialectic of Imagination in Shelley's Revolt of Islam
    • ‘And All Things Seem Only One’: The Shelleyan Lyric
    • Prometheus Unbound, or Discourse and Its Other
    • Baffled Narrative in Julian and Maddalo
    • The Indeterminacy of Shelley's Adonais: Liberation and Destruction
    • The Seashore's Path: Shelley and the Allegorical Imperative
    • The Vision of “Love's Rare Universe”: A Study of Shelley's Epipsychidion
    • Shelley's The Cenci: Moral Ambivalence and Self-Knowledge
    • The Genre and Politics of Shelley's Swellfoot the Tyrant
    • Time's Tale: The Temporal Poetics of Shelley's Alastor
  • Further Reading
• Shelley, Percy Bysshe (Poetry Criticism)
  • Introduction
  • Principal Works
  • Criticism
    • Shelley as a Lyric Poet
    • Percy Bysshe Shelley
    • Shelley
    • Shelley's View of Poetry: A Lecture
    • Platonism in Shelley
    • Shelley: Or the Poetic Value of Revolutionary Principles
    • Prometheus Unbound
    • Revaluations (VIII): Shelley
    • Shelley's Naturalism
    • The Inconsistency of Shelley's Alastor
    • 'Prometheus Bound' and 'Prometheus Unbound'
    • The Figure of the Poet in Shelley
  • Further Reading