Chapter 5 Summary
Juana and Kino disagree strongly about how to dispose of the pearl, and they begin the day with a horrifying interaction. Kino awakens to see Juana discreetly arise and move toward the fireplace. He silently watches as she removes the pearl from the hiding place and leaves the house. He follows her. At first, she doesn’t know that she is being observed. When she realizes she is being followed, she runs toward the ocean. Kino chases her. Just as she is about to throw the pearl into the ocean, Kino strikes her in the face. He forcibly takes the pearl from her and kicks her. He is furious but Juana is unafraid. Her determined expression calms him and he feels ashamed of himself for having abused her.
In shame, Kino turns and walks back toward his home. As he enters the brush, he is attacked a third time. This time he draws his knife and stabs the assailant immediately. Although the assailant is injured, he grabs Kino and desperately gropes his clothes in search of the pearl. As the two men battle, the pearl is thrown to the ground and lands near a rock.
Meanwhile, Juana gets up and prepares to submit to Kino. Although she still disagrees with him, she loves him. She believes that he, like all men, is stubborn and willful. She also believes that his quest to become rich from the sale of the pearl will ultimately destroy him. However, she feels that it is her responsibility to tolerate his stubborn will and to remain at his side. She knows that she needs him for protection and for their family’s provisions. More than anything else, though, she loves him. As she walks toward her house, she sees the pearl on the ground beside the rock. Then she notices two bodies on the ground and sees that one of them is bleeding from the neck.
Juana is relieved to discover that the bloodied body belongs to the attacker, who is dead. Nevertheless, she is frightened for Kino because she knows that he killed the man. In fact, his knife is still beside the body. She knows that their family will never be the same. She drags the dead body into the brush and uses the cloth on her wet skirt to revive her husband.
When Kino regains consciousness, he explains that the man attacked him as he entered the brush. He explains that he killed the man in self-defense. Juana believes him. However, knowing the degree to which the pearl has engendered greed and envy in the town, she urges him to flee. She tells him that no one will believe his story and that he will be prosecuted for murder. Kino agrees with her and instructs her to go home and get their child. He asks her to meet him at the canoe so that they can begin the journey to sell the pearl elsewhere.
When Kino arrives at the shore, he finds that his beautiful canoe has been damaged. A hole has been made in the bottom of the boat, rendering it useless on the water. He feels both bitter rage and profound sorrow at the loss of the boat that his father and grandfather had worked so hard to preserve. Unfortunately, he barely has time to think of the canoe. As he lifts his eyes, he sees that his home is on fire. Someone has ransacked the house before setting it ablaze. The neighbors and onlookers assume that the family has been killed in the blaze; Apolonia, Kino’s sister-in-law, is crying in grief.
Kino and Juana secretly approach Juan Tomas’ house and ask for shelter. Kino explains the events of the morning, including the fact that he killed a man in self-defense. Juan Tomas is relieved to see that they are alive and he agrees to shelter them in his home. To allay suspicion, he speaks with several neighbors, offering false stories regarding Kino’s whereabouts. Then he returns home and provides his brother with a few necessities for use on their journey out of town. He gives Kino advice about the direction he should take. As Kino and Juana depart, he reminds them to be very careful on the journey.
Expert Q&A
What happened to Kino's house in Chapter 5 of The Pearl?
In Chapter 5, Kino's house is set on fire after he kills a man in self-defense. Juana tries to discard the pearl, fearing its curse, but Kino stops her. As they plan to flee, they discover their canoe is damaged, and their house is ransacked and burned by their enemies. Fortunately, Kino, Juana, and their son Coyotito escape and hide in Juan Tomás's hut before leaving the village.
In The Pearl, what does Kino mean when he says the pearl has become his soul in Chapter 5?
When Kino says the pearl has become his soul in Chapter 5, he means that the pearl has consumed his life and identity. Initially a symbol of hope, it becomes associated with greed, leading to violence and loss. Kino's attachment to the pearl transforms him into a "cruel and bitter" person, embodying his misfortune and altered dreams. The pearl's destructive influence makes it integral to his being, representing his inner turmoil and obsession.
What are some examples of alliteration in chapter five of The Pearl by John Steinbeck?
Chapter five of The Pearl by John Steinbeck includes several examples of alliteration, which enhances the text's meaning and emphasis. These include phrases like "quick footsteps" and "quietly he tracked her," "mountain would stand" and "man broke," "sea would surge" and "man drowned," as well as "back was bent" and "head was low." Such alliterations highlight important words and ideas within the narrative. Readers are encouraged to identify further examples on their own.
What does Juana find in their house in chapter five of The Pearl after Kino orders her to return?
In Chapter Five, Juana returns to find their house destroyed. The floor is dug up, Coyotito’s sleeping box is overturned, and the outside of the house is set on fire. This destruction occurs after Kino kills a man, prompting Juana to urge their immediate escape, as she fears others will pursue them. The perpetrators are unknown, referred to only as "the dark ones."
Get Ahead with eNotes
Start your 48-hour free trial to access everything you need to rise to the top of the class. Enjoy expert answers and study guides ad-free and take your learning to the next level.
Already a member? Log in here.