Paul Zindel was born in Staten Island, New York, on May 15, 1936, the son of Paul and Beatrice Mary Frank Zindel. His father, a policeman, deserted his family when Paul was two years old, leaving Beatrice with the responsibility of raising Paul and his sister, Betty, who was two years older. The breakup of the family left Paul with a deep-seated feeling of resentment toward his father, who ignored his children and failed to make any financial contribution to their support.
Following her husband’s desertion, Zindel’s mother worked in a variety of jobs, supplementing her salary at times by stealing small items from her clients. Since many of these jobs were short-term practical nursing assignments, the family moved frequently. As a result, Zindel’s childhood was rootless and lonely. This loneliness was intensified when he developed tuberculosis at age fifteen and was forced to spend eighteen months in a sanatorium, where most of the patients were adults.
After his recovery and return to high school, Zindel, who had shown an interest in writing plays, entered a playwriting contest sponsored by the American Cancer Society. He was awarded a silver ballpoint pen for his drama about a pianist who recovers from a serious illness to play Frédéric Chopin’s Warsaw Concerto at Carnegie Hall.
During his senior year in high school, feeling what he called a “teenaged angst,” Zindel dropped out of school and traveled to Miami, Florida, where he tried unsuccessfully to find a job. After two weeks and the total exhaustion of his financial resources, Zindel returned to New York, where he finished high school in 1954, one year late. He then applied to five colleges, without any clear idea of what he wanted to do. He was accepted by several prestigious schools but decided to attend Wagner College on Staten Island, a move he believes was prompted by low self-esteem and social insecurity, legacies he attributes to his mother.
Zindel majored in chemistry at Wagner but maintained his interest in writing. He served as editor for the school newspaper and wrote an original play as his term paper for a continental drama course. During a visit to New York to cover a writers conference (an assignment he had given himself), Zindel came under the spell of Edward Albee, a playwright best known for his play Who’s Afraid of Virginia Woolf? (1962). Zindel signed up for a course taught by Albee and under his famous teacher’s direction completed a play, Dimensions of...
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“Whatever I do,” Zindel once said, “becomes summarized in my writing.” The result of this summarization is a series of plays and novels constructed around Zindel’s search for meaning and the resolution of problems left over from his adolescence. The plays, which are written for an adult audience, are most often about troubled women, and they contain some attempt to find a reason behind a seemingly senseless life. The novels, on the other hand, are directed toward a young adult audience and are designed to provide both entertainment and insight. In each of Zindel’s novels his characters, and perhaps his readers, learn a lesson.
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