Paul Bourget Biography


(Great Authors of World Literature, Critical Edition)

Paul Charles-Joseph Bourget (bewr-zheh) is perhaps the outstanding French novelist of a period of French literature not distinguished in that genre, the interval between Émile Zola and Marcel Proust. Bookish and precise by nature, Bourget received an education that tended to accentuate rather than diminish these qualities. When viewed against a materialistic age, his life represents a struggle to find a personal religion—one he later advocated for France as a whole—consisting, for him, of a return to the Catholic Church and to the political point of view of the extreme Right. This struggle is reflected in most of Bourget’s novels.

His father was a brilliant professor of mathematics and physics, his mother well-educated but neurotic, and she died young. Bourget himself later commented on the dichotomous analytical-emotional character he considered he owed to his parents. For all his own neuroses and lifelong tendency toward hypochondria, however, he led a full life and produced more than one hundred volumes. His private life he kept scrupulously to himself; scholars know little about it. In 1890, he married Minnie David; it was seemingly a happy union. Bourget traveled extensively most of his life: England, Italy, Greece, the Near East, and the United States. He was elected to the French Academy on May 31, 1894 (a signal honor, especially for an author so young) and remained “a great man of letters” for the rest of his days. He was intimate with many of the finest authors of his time, notably Henry James, Hippolyte-Adolphe Taine, Edith Wharton, Guy de Maupassant, and Henry Bordeaux.

Bourget’s first works were poetry and criticism, and he continued to write in the latter field throughout his life....

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(Great Authors of World Literature, Critical Edition)

Auchincloss, Louis. “James and Bourget: The Artist and the Crank.” In Reflections of a Jacobite. 1961. Reprint. Clifton, N.J.: Augustus M. Kelley, 1973. In this chapter, Auchincloss chides Bourget for assuming the role of France’s social and moral guide.

Brombert, Victor H. “Bourget and the Guilt of the Teacher.” In The Intellectual Hero: Studies in the French Novel, 1880-1955. Philadelphia: Lippincott, 1961. A chapter devoted to Bourget.

Goetz, T. H. “Paul Bourget’s Le Disciple and the Text-Reader Relationship.” French Review 52 (October, 1978): 56-61. Discusses the author’s concerns over the influence of the authority figure (that is, the writer) upon his or her audience, especially the nation’s youth.

Secor, Walter Todd. Paul Bourget and the Nouvelle. New York: King’s Crown Press, 1948. The short novel (nouvelle) is the field in which many critics believe Bourget was the most outstanding.

Singer, Armand E. Paul Bourget. Boston: Twayne, 1976. The only full account in English of Bourget’s life and works.

Suleiman, Susan Rubin. Authoritarian Fictions: The Ideological Novel as a Literary Genre. New York: Columbia University Press, 1983. In this brilliant study, the author treats the thesis novel, using Bourget’s L’Étape.