TONY HISS and DAVID McCLELLAND
Patti's music [is] a unique combination of fairy tales, gleeful excitement, melodic singing, spitting, unshed tears of childhood, hypnotic reiteration, teasing, dancing, masturbatory fantasies, sheet-metal schooldays and chunks of real 50's and 60's hard-rock songs…. (p. 24)
Patti Smith knows she's got it. On stage, she burns like a white filament dressed in black, spitting, crooning, screaming a volcano of lyrics about sex, U.F.O.'s, horses, internal voyages, Jimi Hendrix, Jim Morrison, loneliness, adolescence, beaches, possibilities, Arthur Rimbaud. You have to listen hard to Patti Smith, and that's part of her appeal. She's the first legit, published … poet to move her poetry completely into...
(The entire section is 537 words.)