Patrick Henry Critical Essays


(Critical Edition of Young Adult Fiction)

In order to solicit young readers’ attention, Campion fabricates extensive, often implausible, dialogues. Relying heavily on this technique, she gratuitously fictionalizes much of Henry’s life. Numerous conversations, for example, have been invented between Henry and his personal slave, Caesar. The two are depicted as close friends, an improbable relationship given the social structure of eighteenth century Virginia. Discussions between Henry and his wives and between Henry and his political companions are also manufactured in detail. While few historical records reproduce any of Henry’s private life, Campion attempts to resurrect his thoughts.

Seeking to portray Henry to young readers as an individual worthy of emulation, Campion continues her exaggerations. For example, she repeatedly underscores Henry’s purported opposition to slavery; he is recorded informing his son, “we must pray to God to deliver us from this evil.” Yet Henry exhibited virtually no concern about purchasing slaves throughout his life. He never campaigned against slavery and, indeed, paid the issue less attention than many of his fellow planters.

Campion also overstates Henry’s role as a champion of the common people, Native Americans, and slaves. Characterizing him as the quintessential frontiersman, she produces a Henry apparently happier dressed as and imitating a tribal warrior than participating in Virginia government. Furthermore, Campion insists that Henry’s origins were humble and that, accordingly, he was...

(The entire section is 624 words.)