The Ones Who Walk Away from Omelas Themes

  • At the heart of "The Ones Who Walk Away from Omelas" is a moral question: would you be able to live with yourself if you knew your happiness was dependent on the suffering of a child? Most citizens of Omelas decide that their happiness is more important than the child's suffering. Some walk away, however, never to return.
  • Ultimately, "The Ones Who Walk Away from Omelas" examines the nature of happiness itself. It presents two opposing views of happiness: 1) that happiness is not truly happiness if it's based on someone else's suffering, and 2) that the happiness of an entire community sometimes outweighs the misery of an individual. The title suggests that the story itself sides with those who walk away from Omelas.
  • One of the underlying themes of "The Ones Who Walk Away from Omelas" is that of the individual vs. society. In Omelas, the happiness of the society as a whole is valued above that of the child locked up under the city. No other character is treated as an individual. The other characters can be divided into two categories: those who walk away from Omelas and those who don't. This has a homogenizing effect on the population.


(Short Stories for Students)

"The Ones Who Walk Away from Omelas'' is the story of a Utopian society whose survival depends on the existence of a child who is locked in a...

(The entire section is 958 words.)

Themes and Meanings

(Comprehensive Guide to Short Stories, Critical Edition)

Ursula K. Le Guin has given this story a parenthetical subtitle, “Variations on a Theme by William James,” referring to the philosopher and psychologist who wrote that “some people could not accept even universal prosperity and happiness if it depended on the deliberate subjugation of an idiot child to abuse it could barely understand.” Le Guin’s story also has ties to Fyodor Dostoevski’s Bratya Karamazovy (1879-1880; The Brothers Karamazov, 1912), in which Ivan, the realistic brother, asks Alyosha, the religious brother, about God’s goodness in a world in which children suffer. Ivan asks Alyosha if he would be willing to be the creator of a world in which every being was happy, if that happiness were based on the suffering of a five-year-old girl. Alyosha is forced to concede that he would not.

These issues are related to the concept of theodicy, which attempts to answer the question of the problem of evil that is summed up by three statements: God is good, God is omnipotent and omniscient, and there is evil. The existence of evil is usually accepted as a given. If God is good, but not omnipotent, he wants to stop evil but cannot. If God is omnipotent, but not good, he could stop evil but would not. In the Judeo-Christian system, however, God is understood to be both good and omnipotent, so some other answer for the existence of evil is necessary.

The concept of human free will has often been used to explain the evil in the world. Theologians use the story of the expulsion from Eden as an example of how human free will, uncoerced choice, may cause evil to occur. The people of Omelas knowingly allow the child to suffer so that they may be happy. Someone in Omelas gave the child up to its incarceration; it remembers its mother. Someone in Omelas may have the child in the cellar of his or her lovely home. Someone is responsible for its poor food. Someone kicks at it to make it stand when it is to be shown to a new group of children. The great majority of Omelas citizens are able to accept their lives at the expense of this helpless other and have rationalized that it could not really be made happy anyway. Even the ones who walk away make no attempt to take the child away with them. They choose to leave it to its suffering, fear, and pleading.