One Flew Over the Cuckoo's Nest Summary

Ken Kesey

One Flew Over the Cuckoo's Nest Summary

One Flew Over the Cuckoo's Nest summary

Chief Bromden, a Native American man being treated for schizophrenia in an Oregon mental hospital, narrates this novel about the conflict between Randle McMurphy and Nurse Ratched. McMurphy, a former Marine, has deliberately feigned insanity in the hopes of avoiding a jail sentence. He's surprised to learn that most of the patients on the ward are voluntarily committed.

  • McMurphy has a big personality, and he makes a lot of friends on the ward, including Chief Bromden and a young, suicidal man named Billy. McMurphy's attitude gets him in trouble with Big Nurse, however. One day, he punches through the glass barrier of the nurse's station to retrieve his confiscated cigarettes.
  • Emboldened by McMurphy's acts of rebellion, the patients work up the courage to vote in favor of a fishing trip that Big Nurse has been fighting against. McMurphy leads them on this trip, giving the patients a taste of the freedom Big Nurse has taken from them.
  • McMurphy smuggles two prostitutes into the ward. While Billy has sex with one of them, the other patients play cards. Big Nurse discovers their game and ridicules Billy so cruelly that he commits suicide. McMurphy attacks Big Nurse, nearly choking her to death. In retaliation, Big Nurse has McMurphy lobotomized. The novel ends with Chief Bromden mercifully smothering McMurphy before breaking out of the ward.

Summary

The title, One Flew over the Cuckoo’s Nest, which echoes a children’s song (“One flew east, one flew west, one flew over the cuckoo’s nest”), puns cleverly on a variety of themes covered in the book: the sadness of the “cuckoos” confined in insane asylum, the freedom enjoyed by the geese far above the nest, and the sterility of the nest itself. Kesey’s novel can be read at many levels. It is a tall tale about a conflict of wills and a social tract attacking the medieval and inhumane treatment of mental patients and calling for reform. On a broader level, it is a microcosm, with the insane asylum a representative small world reflecting a macrocosmic conflict between the individual and society, freedom and restraint, nature and technology.

Former Marine McMurphy had experienced the horrors of brainwashing in a Red Chinese prison camp, only to be exposed to the same process on home grounds. His battle with Big Nurse and, by extension, the Combine, is against all systems that try to narrow and limit human nature. Big Nurse is precise, efficient, and machine-like (the values of pragmatic technology), while McMurphy is associated with wild geese and other elements of nature.

The story is in the tradition of a tall tale, a Western shoot-’em-up, or a cartoon comic book story, with its characters larger than life and with exaggerated black/white, evil/good relationships. A tough, swaggering convict, Irishman, and logger, McMurphy has himself transferred from jail to a mental asylum because of his wild behavior. He thinks it will be an easy time, with the extra attraction of a chance to con a few inmates out of spending money. He challenges the authority of Big Nurse, the ward superintendent, whose fake smile and feigned concern turns men against one another, preys on their fears, and weakens their nerve. To counter her techniques, McMurphy provides a model of rebellion; he uses laughter, comic exaggeration, and absurdist acts to build up the inmates’ sense of manhood and teach self-reliance. He defies Big Nurse openly, breaks her rules, and wins the admiration of the men, who slowly begin to join in his acts of defiance.

The knowledge that most of the inmates are voluntary admits, whereas he is committed until released by Big Nurse, at first cows McMurphy, but when Big Nurse once more begins to undercut the men, the con man gives way to the hero. McMurphy “blows up big as a house” (a Chief Bromden metaphor for power) and smashes his fist through the glass barrier of Big Nurse’s station to retrieve his confiscated cigarettes. The inmates respond positively to this defiance and ultimately work up the courage to vote for a fishing trip that Big Nurse has done her best to thwart, a trip that gives them a taste of normality and power. McMurphy smuggles the two prostitutes who accompany them on the trip into the ward for a nighttime party that ends tragically when Big Nurse discovers their game, isolates the weakest inmate, Billy Bibbit, and drives him to suicide.

McMurphy responds by ripping Big Nurse’s blouse to expose her large breasts and to undercut her power. In doing so he dooms himself but gives his fellow inmates hope and self-assurance. Big Nurse “crucifies” this Christ figure with electroshock treatments and then a lobotomy that leaves McMurphy a vegetable. As a result, the voluntary inmates leave the asylum to face the real world. In the last scene, Chief Bromden smothers the husk that was McMurphy, lifts the control panel that McMurphy had been unable to move, hurls it through the barred window, and escapes across the fields. His final words, “I been away a long time,” indicate the distance he has come from the reader’s first view of him and the power of McMurphy’s restorative sacrifice.

The 1975 film version of this novel, directed by Milos Forman, won five Academy Awards and appeared on the American Film Institute’s 2000 list of the top one hundred films of all time.

Summary

One Flew over the Cuckoo’s Nest was the result of Ken Kesey’s interest in the relations among sanity, insanity, and consciousness-altering drugs. He began writing the novel while employed as psychiatric ward attendant. Later he volunteered to take such drugs as LSD and peyote as a research subject.

Kesey wrote the novel under the influence of peyote and LSD. It is an indictment of American culture more than it is of mental institutions. It attacks conformity and established authority in a dense style replete with myths, parables, and ironic commentaries. Few contemporary novels achieved the status of classics or received such notoriety so quickly.

One Flew over the Cuckoo’s Nest is the story of Randle P. McMurphy, a self-centered but charming con artist. To escape a prison work farm, he fakes psychosis to get admitted to a mental hospital. The story is narrated by an inmate, Chief Bromden, an American Indian who pretends to be deaf and dumb. Hyperauthoritarian Nurse Ratched is alarmed by McMurphy’s “troublemaking” activities, such as the card games that he always wins. In various ways, McMurphy defies her authority and manages to get away with it for awhile. McMurphy discovers that, unlike most of the other inmates, he was admitted involuntarily. The only person who can determine whether he is fit to leave and live in society is the “Big Nurse,” nurse Ratched.

McMurphy gives other inmates a taste of freedom and self-empowerment by organizing an unauthorized fishing trip and by hiring prostitutes to accompany them. He gets in bigger trouble when he and Chief Bromden resist orderlies who try to force prescribed drugs on an unwilling inmate. Big Nurse prescribes electric shock treatment for them both.

After treatment, McMurphy’s resilience is broken. He begins to look more and more like the other inmates. As a token of their appreciation, the other inmates arrange an escape for him. He celebrates the occasion by providing liquor, wine, and marijuana. Two of his prostitute friends help Billy Bibbit, a stuttering, hypersensitive inmate, lose his virginity. At the end of the party, McMurphy is unable to escape. In the morning he is blamed for the debacle.

In a desperate act of independence, McMurphy attacks Big Nurse, rips her clothing, and tries to strangle her. Demoralized and vengeful, she sees to it that McMurphy is lobotomized. Chief Bromden, as an act of mercy, smothers McMurphy, freeing him from permanent institutionalization as a vegetable. Bromden then escapes.

McMurphy, a Christlike leader, undergoes torture at the hands of Big Nurse for the benefit of other inmates and sacrifices his life for the cause of liberation through immorality, sex, drugs, and authenticity. This theme is in line with Kesey’s pagan sensibilities and the spirit of the counterculture of the 1960’s.