Oleanna Criticism
- Principal Works
- Introduction
- On Theater, Politics and Tragedy
-
Criticism: Oleanna (1992)
- Acts of Violence: David Mamet and the Language of Men
- Gender Wars: Oleanna & Desdemona
- Sexual Perversity in Viragos
- He Said/He Said
- ‘We're Just Human’: Oleanna and Cultural Crisis
- The Devil's Advocate: David Mamet's Oleanna and Political Correctness
- Laying Blame: Gender and Subtext in David Mamet's Oleanna
- David Mamet's Oleanna and the Way of the Flesh
- Truth or Consequences: Mamet's Oleanna in the Real World
- David Mamet: The Search for Masculine Space
- The Modern Academy Raging in the Dark: Misreading Mamet's Political Incorrectness in Oleanna
- Three Models of Power in David Mamet's Oleanna
- Postmodernism and Violence in Mamet's Oleanna
- Oleanna, or, The Play of Pedagogy
- A Few Good Men: Collusion and Violence in Oleanna
- The Playwright as Director: Pinter's Oleanna
- Further Reading