Okot p'Bitek

Okot p'Bitek Criticism

• p'Bitek, Okot (Contemporary Literary Criticism)
  • Introduction
  • Principal Works
  • Criticism
    • An Introduction
    • Two Songs: 'Song of a Prisoner' and 'Song of Malaya'
    • Songs from the Grasslands
    • Hare and Hornbill
    • Modes of Freedom: The Songs of Okot p'Bitek
    • The Song of the Caged Bird: Contemporary African Prison Poetry
    • Okot p'Bitek
    • The Traditional and Modern Influences in Okot p'Bitek's Poetry
    • The Form of Okot p'Bitek's Poetry: Literary Borrowing from Acoli Oral Traditions
  • Further Reading
• p'Bitek, Okot (Twentieth-Century Literary Criticism)
  • Principal Works
  • Criticism
    • Introduction
    • Poetic Viewpoint: Okot p'Bitek and his Personae
    • The Form and Function of Repetition in Okot p'Bitek's Poetry
    • The Image of the Prostitute: A Reconsideration of Okot p'Bitek's Malaya
    • Digression as Discourse Strategy in Okot p'Bitek's Dramatic Monologue Texts
    • A Traditional Poet in Modern Garb: Okot p'Bitek
    • Cultural Nationalism and Form in Okot p'Bitek
    • Writing African Oral Literature: A Reading of Okot p'Bitek's Song of Lawino
    • The Poet as Self-Critic: The Stylistic Repercussions of Textual Revisions in Okot p'Bitek's Song of Ocol
    • Old Wine in New Skins? An Exploratory Review of Okot p'Bitek's White Teeth: A Novel.
    • Lexical Cohesion in Okot p'Bitek's A Song of Prisoner
    • Towards an Appraisal of Criticism on Okot p'Bitek's Poetry
    • The Poet as ‘Native Anthropologist’: Ethnography and Antiethnography in Okot p'Bitek's Songs
  • Further Reading