Okot p'Bitek 1931–1982
Ugandan poet, essayist, novelist, translator, and editor.
The following entry provides an overview of p'Bitek's career.
One of East Africa's best-known poets, p'Bitek helped redefine African literature by emphasizing the oral tradition of the native Acholi people of Uganda. His lengthy prose poems, often categorized as poetic novels, reflect the form of traditional Acholi songs while expressing contemporary political themes. In the preface to his essay collection Africa's Cultural Revolution (1973), p'Bitek explained: "Africa must re-examine herself critically. She must discover her true self, and rid herself of all 'apemanship.' For only then she can begin to develop a culture of her own…. As she has broken the political bondage of colonialism, she must continue the economic and cultural revolution until she refuses to be led by the nose by foreigners."
p'Bitek's respect for ancestral art forms began during his childhood in Gulu, Uganda, where his father, a school teacher, was an expressive storyteller, and his mother was considered a great singer of Acholi songs. An outstanding student, p'Bitek composed and produced a full-length opera while still in high school. At the age of twenty-two he published his first literary work, a novel in Acholi entitled Lak tar miyo kinyero wi lobo? (1953; White Teeth). After studying at King's College in Budo, p'Bitek played on Uganda's national soccer team while maintaining a position as a high school teacher. In the summer of 1956 he participated in the Olympic Games in London and remained in England to study at several institutions, including the Institute of Social Anthropology in Oxford and University College, Wales. He was first recognized as a major new voice in African literature in 1966 when he published Song of Lawino. In the same year he was named director of the Uganda National Theater and Cultural Center. In this capacity he founded the highly successful Gulu Arts Festival, which celebrates the traditional oral history, dance, and other arts of the Acholi people. Political pressures, however, forced p'Bitek from his directorship after two years. He moved to Kenya, where, with the exception of frequent visits to universities in the United States, he remained throughout the reign of Ugandan dictator Idi Amin. After founding the Kisumu Arts Festival in Kenya and later serving as a professor in Nigeria, p'Bitek eventually returned to Makerere University in Kampala, Uganda, where he was a professor of creative writing until his death in 1982.
Widely regarded as p'Bitek's most famous work, Song of Lawino is a plea for the preservation of Acholi cultural tradition from the encroachment of Western influences. The prose poem is narrated by Lawino, an illiterate Ugandan housewife, who complains bitterly that her university-educated husband, Ocol, has rejected her and his own Acholi heritage in favor of a more modern lifestyle. Perceiving his wife as an undesirable impediment to his progress, Ocol devotes his attention to Clementine (Tina), his Westernized mistress. Throughout the work, Lawino condemns her husband's disdain for African ways, describing her native civilization as beautiful, meaningful, and deeply satisfying: "Listen Ocol, my old friend, / The ways of your ancestors / Are good, / Their customs are solid / And not hollow…." She laments her husband's disrespect for his own culture and questions the logic of many Western customs: "At the height of the hot season / The progressive and civilized ones / Put on blanket suits / And woollen socks from Europe…." In an interview, p'Bitek remarked on the protagonist of Song of Lawino: "Lawino realizes that we are evolving too rapidly away from our historical and cultural roots. Her song is a challenge for African leaders and scientists: You learned from white books, but do you link this imported knowledge to Africa? Be aware of your own background." In contrast, Song of Ocol (1970) expresses...
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