Oedipus Rex Historical and Social Context
by Sophocles

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Historical Context

(Drama for Students)

Sophocles lived and worked in a time of great cultural significance, not only in the history of Athens but the greater sense of western democratic culture. Wars with Persia and Sparta, the development of democratic culture, public architectural projects, and theatrical entertainments, as well as the rise of a distinctively rhetorical culture (a culture based on the strength of language and writing) are important features of the Athens during Sophocles's life, known as the Golden Age of Athens.

Soon after Cleisthenes established democracy in Athens in 507 B.C., Athens was threatened by outside enemies. At the beginning of the fifth century B.C., the Persians, led by Darius, crossed the Aegean to conquer Athens. After its triumph over Miletos in 494, the Persian army began to be defeated, with Athens winning the decisive victory at Marathon in 490. The battles of Salamis, Platea, and Mycale in 480-79 were also won by Athens, and the Persian forces (led by Xerxes I) finally lost the war. The Athenians prided themselves on their victory over Xerxes; roughly fifteen years after Sophocles's birth, Athens had become an Empire in its own right, forming the Dehan League in 478-77. From 492-60 the city-state was led by Pericles, a populist leader who is famous today for his military skill, his rhetorical prowess, and his public building projects—including the Parthenon. Sophocles himself took part in some of Pericles's projects and in the city's military life, aiding Pericles in the Samian war (441-39), becoming an ambassador some years later, and joining the ruling council in 413.

Although the Persian threat had subsided, a new threat arose: the Peloponnesian War with Sparta and other states under their leadership began in 432. Thucydides, an Athenian general and historian noted for his impartiality and accuracy, tells the story of this war in his History of the Peloponnesian War. Athens, defeated in Sicily in 413, surrendered to Sparta (which was being supported by Persia) in 404, the year after Sophocles died.

In the midst of all this war, Athenian democracy flourished during Sophocles's lifetime, its commercial enterprises along the eastern Mediterranean coastline were successful, and its cultural life enjoyed immense nourishment and development. Greek religious life centered around the shrines frequented by worshippers of Apollo at Delphi, Apollo and Artemis at Delos, and Zeus at Olympia. Festivals were often held at the shrines, and athletic competitions, dance, song, and theatrical performances also took place. Intellectually, Athens was thriving—its mathematicians and scientists, after the work of Pythagoras and Xenophanes during the previous century, began to make new discoveries in arithmetic and geology; Pericles, who studied sophistry with Zeno, brought the skill of oratory to new, unprecedented heights, and his support of the plastic and literary arts allowed Athenians to enjoy the lasting achievements of their contemporaries. While public building was interrupted by the Persian war, it resumed with vigor in the latter half of the fifth century, with the Temple of Zeus at Olympia and, in Athens, the Temple of Athena Nike, as well as the Parthenon, Propylaea, and the Erechtheum. Pericles saw to it that elaborate public building projects motivated artists of his time to achieve greatness for their city.

Greek drama also flourished. Pericles provided entertainments and pageantry, granting allowances for public festivals so that all men could attend them. Aeschylus, Sophocles, and Euripides were the three great dramatists of the age; Sophocles competed successfully with both his teacher Aeschylus and with his contemporary, Euripides, in the annual tragic competitions of the Great Dionysia. Some of the drama of this period concerned specific political issues, such as Phrynichos's Capture of Mileros (493) and Aeschylus's Persians (472). Other plays, like Aeschylus's Oresteia and Oedipus Rex address broader questions about mythological leaders...

(The entire section is 1,114 words.)