As is often the case in Crane’s poetry, “O Carib Isle!” relies on images and word associations to release its emotional energy. Sensuous description of a hot, dry Caribbean island stands as an extended metaphor for the dry, desolate state of the speaker’s consciousness. Ironically, it is a beautifully realized poem about the failure of poetic inspiration. The poem expresses the poet’s exhausted sensibility and spiritual pessimism but creates in the poem itself a belief in something beyond himself, if only in Satan. Actually, Satan is no more present in the poem than the absent “Captain” (God). However, the depressed and weary speaker is more inclined to believe in the hot, desolate landscape of the island as hell rather than paradise.
Poetry also begins with the process of naming. However, although “name” or “names” appears four times in the first section, these appearances are in the context of generalities (“tree,” “flower,” “a name”) rather than the specific eucalyptus of poinciana named elsewhere in the poem. Furthermore, Crane chooses his specific names carefully: For example, the poinciana, a red-flowered plant, was named for a former governor of the French West Indies, M. de Poinci. The landscape is torpid, dead, or inhuman, and in some cases all three. The scuttling crabs “anagrammatize” an unstated name, thereby obliterating a specific identity and reminding the poet that any naming of the mystery of life is conditional and temporary—written in sand, to use the familiar cliché. (It has been observed that “crab” is a rearranging of the letters of “carib” with the I , or identity, deleted.)...
(The entire section contains 417 words.)
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