Nineteenth-Century Pornography Criticism: Nineteenth-Century Pornographers - Essay

H. Montgomery Hyde (essay date 1964)

(Nineteenth-Century Literary Criticism)

SOURCE: Hyde, H. Montgomery. “The Pornography of Perversion.” In A History of Pornography, pp. 122-52. New York: Farrar, Straus and Giroux, 1964.

[In the following excerpt, Hyde discusses nineteenth-century pornography devoted to sado-masochistic practices, homosexuality, and incest.]

[1]

Apart from purely erotic pornography, there are various manifestations of sexual abnormality in pornographic literature, such as sado-masochistic practices, homosexuality, incest, transvestism and sundry forms of fetichism. The principal sado-masochistic perversion is, of course, flagellation. We have already seen how it was practised in the period of...

(The entire section is 12165 words.)

Iain McCalman (essay date 1988)

(Nineteenth-Century Literary Criticism)

SOURCE: McCalman, Iain. “Grub Street Jacks: Obscene Populism and Pornography.” In Radical Underworld: Prophets, Revolutionaries and Pornographers in London, 1795-1840, pp. 204-31. Cambridge: Cambridge University Press, 1988.

[In the following excerpt, McCalman explores the production of pornography, some of it associated with radical politics, centered on Holywell Street in London.]

The authorities caught up with George Cannon for the first time in October 1830. Early the following year, after two separate prosecutions, he was sentenced to a total of twelve months' imprisonment in Tothill Fields, not as we might expect for blasphemy or sedition, but on charges of...

(The entire section is 13733 words.)

Allison Pease (essay date 2000)

(Nineteenth-Century Literary Criticism)

SOURCE: Pease, Allison. “Victorian Obscenities: The New Reading Public, Pornography, and Swinburne's Sexual Aesthetic.” In Modernism, Mass Culture, and the Aesthetics of Obscenity, pp. 37-71. Cambridge: Cambridge University Press, 2000.

[In the following excerpt, Pease traces the relationship between increasing levels of literacy in Victorian England and the production and regulation of pornography.]

Edmund Gosse characterized the British poetry scene in the 1860s as a time of almost deadening quiescence. Tennyson had settled into the tasteful repose of his laureateship, Browning was squirreled away producing The Ring and the Book, and minor writers were...

(The entire section is 18787 words.)