Bibliography
Bloom, Harold, ed. Guy de Maupassant. Philadelphia, Chelsea House, 2004. Collection of essays on de Maupassant’s short fiction, divided into sections. The section on “The Necklace” includes a plot summary, a list of characters, a summary of critical views on the work, and four full essays relevant to the story.
Bryant, David. The Rhetoric of Pessimism and Strategies of Containment in the Short Stories of Guy de Maupassant. Lewiston, N.Y.: Edwin Mellen Press, 1993. Using several stories as examples, Bryant discusses de Maupaussant’s depiction of a world hostile to humanity. He describes three constants in the stories that contribute to de Maupassant’s overall unity of vision: the world as a metaphysical farce in which the narrator’s detachment transforms suffering, the power of chance, and writing as a response to fate.
MacNamara, Matthew. “A Critical Stage in the Evolution of Maupassant’s Story-Telling.” Modern Language Review 71, no. 2 (April, 1976): 294-303. Emphasizes the extent to which de Maupassant was influenced by oral tradition and spoken conversation.
Powys, John Cowper. “Guy de Maupassant.” In Essays on de Maupassant, Anatole France, and William Blake. Whitefish, Mont.: Kessinger, 2006. Highlights de Maupassant’s realist approach and his focus on physical reality.
Worth, George J. “The English ’Maupassant School’ of the 1890’s: Some Reservations.” Modern Language Notes 72, no. 5 (May, 1957): 337-340. Chronicles de Maupassant’s career and the metamorphosis of his anecdotal conversational style.
For Further Reference
Last Updated July 18, 2024.
Artinian, Artine, editor. The Complete Short Stories of Guy de Maupassant. Garden City, NY: Hanover House/Doubleday, 1955. The introduction offers a critical analysis of Maupassant's writing, highlighting the artistic value of his numerous works.
Le Guin, Ursula K. "The Ones Who Walk Away from Omelas." In The Wind's Twelve Quarters. New York: Harper & Row, 1975. This short story portrays a fantastical city of immense wealth and the suffering of a single child, whose imprisonment magically sustains the city's prosperity.
Maupassant, Guy de. The Best Stories of Guy de Maupassant. Edited by Saxe Commins. New York: Random House, 1945. Features an insightful introduction that explores Maupassant's life and experiences.
Bibliography and Further Reading
Last Updated July 19, 2024.
Sources
James, Henry. ‘‘Guy de Maupassant,’’ reprinted in his Partial Portraits, Macmillan, 1888, pp. 243-87.
Prince, Gerald. ‘‘Nom et destin dans 'La Parure',’’ in The French Review, Vol. 55, 1982, pp. 267-71.
Sullivan, Edward D. ‘‘Maupassant et la nouvelle,’’ in Cahiers de l'association internationale des etudes francais, Vol. 27, pp. 223-36.
Further Reading
Artinian, Artine. "Introduction" in The Complete Short Stories of Guy de Maupassant, Hanover House, 1955, pp. ix-xvii.
This introduction discusses Maupassant's literary reputation, especially in the United States.
Donaldson-Evans, Mary. ‘‘The Last Laugh: Maupassant's 'Les bijoux' and 'La parure',’’ in French Forum, Vol. 10, 1985, pp. 163-73.
Analyzes ‘‘The Necklace’’ in comparison to ‘‘Les bijoux,’’ another story by Maupassant, and argues for the former's superiority due to its greater complexity.
Europe, no. 482, 1969.
A collection of essays in French on Maupassant and his works, which helped revive his literary standing.
James, Henry. ‘‘Guy de Maupassant,’’ in Maupassant's The Odd Number, Harper & Brothers, 1889, pp. vii- xvii.
Also featured in the October 19, 1889, issue of Harper's Weekly, this essay introduced Maupassant's works to American readers.
O'Faolain, Sean. The Short Story, Devin-Adair, 1974.
In the section titled ‘‘The Technical Struggle: On Subject,’’ O'Faolain discusses ‘‘The Necklace’’ and asserts that the story's value lies in Maupassant's depiction of characters and society, rather than its "whip-crack ending."
Steegmuller, Francis. Maupassant: A Lion in the Path, Collins, 1949.
This biography connects much of Maupassant's fiction to his life through the lens of psychoanalysis.
Sullivan, Edward D. Maupassant: The Short Stories, Barron's, 1962.
An introduction to Maupassant's contes and nouvelles, with insightful commentary on ‘‘The Necklace.’’
Thibaudet, Albert. "The Generation of 1850," in his French Literature from 1795 to Our Era, Funk & Wagnalls, 1968, pp. 263-359.
Provides an overview of key figures and movements in French literature, placing Maupassant's work in the context of literary development and his interactions with other writers.
Media Adaptations
Last Updated July 19, 2024.
There are at least three English film adaptations of Maupassant's story. The earliest, a silent film from 1909, was directed by D. W. Griffith and has a runtime of eleven minutes. A 1980 adaptation, distributed by Britannica Films, lasts twenty minutes. Another version from 1981, distributed by Barr Entertainment, runs for twenty-two minutes.
Another adaptation of "The Necklace," titled "La parure" in French, aired on American television on January 21, 1949. The famous ending was altered to a happy conclusion, presumably to satisfy the preferences of the sponsoring advertiser.
Additionally, several audio recordings of "The Necklace" are available in both cassette and compact disc formats. These include: Maupassant's Best-Known Stories (two volumes), distributed by Cassette Works; De Maupassant Short Stories (one volume), distributed by Listening Library; Favorite Stories of Guy de Maupassant (two volumes), distributed by Jimcin Recordings; and the French-language "La parure," "Deuxamix," "Le bapte" (one volume, abridged), distributed by Olivia & Hall.
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