In 1785, the English-speaking world was introduced to the captivating narrative of John Marrant, a work that quickly transcended its initial derisive reception to become a bestseller. Marrant’s autobiography was not just a fleeting success; it was a cultural phenomenon that resonated on both sides of the Atlantic. The account was published in the United States by 1789 and joined the ranks of the most renowned Indian captivity narratives, standing alongside the works of Peter Williamson and Mary Jemison. The narrative's influence was profound, securing translations into various European languages, with a Welsh edition appearing in 1818, ensuring its legacy well into the 19th century.

This widespread impact did not go unnoticed among Marrant’s contemporaries. His autobiography, with its spiritual depth and adventurous spirit, caught the attention of early African American writers. Notably, Olaudah Equiano, a pioneering figure in the genre of slave narratives, was among those influenced. Equiano’s seminal work, The Interesting Narrative of the Life of Olaudah Equiano, or Gustavus Vasa, the African, published in 1789, drew upon themes present in Marrant’s story, signaling the interconnectedness of these literary traditions.

Marrant’s storytelling did not end with his autobiography. His subsequent journal, published in 1790, chronicled his missionary work in Canada and New England. This journal maintained the spiritual fervor that characterized his earlier writings, expanding on his experiences and insights.

While his autobiographies focused less on racial issues, Marrant’s sermons were unflinching in their critique of racial injustice. As a minister, he used his platform to address the prejudices of the time, underscoring the essential role of African American education and pride in their rich heritage. Through his sermons, Marrant advocated for a historical consciousness among African Americans, urging them to embrace and learn from the achievements of their ancestors.