Themes and Meanings
The historically uneasy relationship between Massachusetts Bay Colony and its appointed royal governors that Nathaniel Hawthorne sets forth in this story’s first paragraph allows the author to write a complex tale that deals simultaneously with the popular overthrow of a governor and with the coming to maturity of a boy. Neither of these themes is sacrificed to the other, for Robin discovers as a result of his long and frustrating inquiry his personal independence and his American identity. Though colonial Boston’s twisted roads lead him very close to the place from which he started his search, Robin’s “initiation” has changed him considerably. He had hoped in the tavern that his resemblance to Molineux would assure his fortune; by the story’s end, his laughter makes him one with the crowd, and his rejection of Molineux implies that the earlier rebuffs that he received as Molineux’s kinsman were correct. It is, then, significant in the story’s final scene that he exists as “Robin” rather than as Molineux’s kinsman. He has overcome temptation (the maiden in the red petticoat) and despondency (on the church steps), has rejected pleasant but unconstructive memories of his past (when he recalls his Huguenot background), and has determined to seek his own place in the world.
The initiation theme applies equally to the story’s sociological level. Just as a boy seeks his freedom and independence, so does a country. Robin can thus be seen as the slowly awakening American spirit that infuses and maintains the American Revolution. Correspondingly, Molineux can represent oppression that masquerades as family. He is Great Britain, but he is also whatever constrains the American spirit. The kind gentleman is, by extension, France, America’s first ally, but he also represents the respectful autonomy for which one should strive in any alliance.
Themes
Last Updated September 13, 2024.
Coming of Age
Many critics interpret ‘‘My Kinsman, Major Molineux’’ as a narrative about Robin's transition from youth to adulthood. Robin's journey adheres to a traditional pattern: he leaves his home for a distant place, encounters unfamiliar people, and embarks on thrilling adventures. Each experience makes him a bit wiser. By the conclusion of the story, he has gained enough knowledge to thrive independently, or, as the kind gentleman puts it, to ‘‘rise in the world without the help of [his] kinsman, Major Molineux.’’ Robin himself remains...
(This entire section contains 682 words.)
Unlock this Study Guide Now
Start your 48-hour free trial and get ahead in class. Boost your grades with access to expert answers and top-tier study guides. Thousands of students are already mastering their assignments—don't miss out. Cancel anytime.
Already a member? Log in here.
unaware of his personal growth, but the gentleman recognizes it. The story begins with the ferryman viewing Robin as an inexperienced youth and ends with the gentleman seeing him as a ‘‘shrewd youth.’’
Order and Disorder
Robin's primary challenge is his inability to understand his surroundings. He
struggles to navigate the winding, confusing streets; the houses are
‘‘irregular’’; the people act oddly, dress in startling ways, and speak
incomprehensibly. The connection he believed would open doors for him—his
association with Molineux—actually works against him. Instead of finding order
and a clear direction for his life, he encounters disorder and chaos.
However, the world’s disorder is not only from Robin’s perspective. The narrator describes a world gone mad, with a mob engaging in ‘‘senseless uproar, in frenzied merriment.’’ This chaos is a ‘‘contagion’’ spreading through the crowd, even affecting Robin, who is unaware of the political reasons behind the mob's actions. Robin’s chaotic experiences in the city starkly contrast with his memories of home, where life was orderly, centered around ‘‘his father’s custom’’ of daily worship. His challenge mirrors that of all young people starting anew: to make sense of the unfamiliar and strange.
Politics
In the lengthy paragraph that opens the story, Hawthorne’s narrator sets the
historical context: the narrative unfolds in New England in or around the
1730s. Although the Revolutionary War is still decades away, the Massachusetts
Bay Colony's residents have already begun resisting British rule. They have
ousted or imprisoned four of the last six appointed governors, and even
lower-ranking loyalists of the ‘‘court party’’ have faced torment. Robin’s
relative, Major Molineux, serves within the British forces maintaining control
in the colony, and it is in this capacity that he is tarred, feathered, and
paraded through the town.
Writing in the early 1830s, Hawthorne appreciated the outcomes of the Revolution. However, as John P. McWilliams, Jr. explained in an article for Studies in Romanticism, Hawthorne was not supportive of the mob mentality that could harm individual loyalists. There is no mention in the story of any specific wrongs committed by Molineux. His only crime appears to be performing his duty during a period of "temporary inflammation of the popular mind."
City versus Country
A prevalent theme in literature, especially in the United States during the
eighteenth and nineteenth centuries, is the conflict between urban and rural
life. Stories of young men from the city venturing into the countryside and
being bewildered by the wilderness are as common as tales like "My Kinsman,
Major Molineux," where a young man from the country is overwhelmed by his first
experience in the big city. Everything that happens to Robin occurs because he
is in an unfamiliar place and does not know how to interpret the signs.
Robin is so "evidently country-bred" that the ferryman can tell just by looking at him and knows Robin has never been to town before. For instance, Robin carries a club, which might be useful for confronting animals in the wilderness but is hardly appropriate in the city. Although he considers himself "shrewd," Robin does not understand anything he sees or hears. Just as a city person might become lost and confused on a winding path through the woods, Robin becomes "entangled in a succession of crooked and narrow streets." When he looks into the church, often the town's center, he feels "a sensation of loneliness stronger than he had ever felt in the remotest depths of his native woods." His instinct is to return home, feeling "weary of a town life."