Feminist Criticism of Beatrice and Hero
At the conclusion of the play, Much Ado's two principal female characters---Beatrice and Hero---prepare to wed their respective mates. This is certainly an appropriate end for a comedy in which the relationship between the sexes serves as an overarching theme, and the audiences of Shakespeare's day saw the pre-marital dance as both a happy and a fully expected outcome. But from the standpoint of a modern feminist sensibility, Beatrice and Hero's acceptance of marriage can be interpreted in a highly negative light. Indeed, from a modern feminist perspective, that Beatrice marries a "professed tyrant" of women while Hero weds a man who has inflicted gross humiliation upon her demonstrates that these women are portrayed by Shakespeare as subordinated and powerless figures in the male-dominated society of Messina. From this modern feminist viewpoint, the author of Much Ado can be accused of gender bias.
Any assessment of this charge must begin with Beatrice: of all Shakespeare's comic heroines, Beatrice comes closest to embodying feminist values. At the very start of the play, only Beatrice is capable of penetrating through the inflated egos of Don Pedro and his gallant soldiers. She makes no bones about her disdain for the overblown macho gallantry which the returned heroes use as veneer to hide their lust, and she is equally aggressive in her rejection of any potential suitors. It is crucial to note that Beatrice is not anti-male, but instead keen to counter the use of male wit and deception as a means for controlling her. In her independence and in her own command of wit, Beatrice is an attractive character, and we must assume that feminist critics would approve of Beatrice before her "conversion" at the start of Act III.
In the parallel orchard scene that begins Act III, Beatrice is partially deceived by Hero and Ursula about Benedick's passion for her. During this charade, Hero speaks with a great deal of candor about the character defects of her cousin, knowing full well that Beatrice is within earshot. Hero's words resonate for Beatrice: after hearing them, she resolves to abandon her proud and...
(The entire section is 870 words.)