Much Ado About Nothing Characters at a Glance

Much Ado About Nothing key characters:

  1. In Much Ado About Nothing, Beatrice is a rival and romantic match for Benedick’s wit and cynicism toward marriage. She provides insight into the other characters and shows strength of character in defending Hero’s innocence.

  2. Benedick initially fears that love will turn him soft and foolish, but he is eventually convinced by Beatrice’s affections to let down his guard and pursue marriage.

  3. Claudio plays the role of the conventional lover. He displays jealousy and anger at Hero’s supposed infidelity, but later repents once he realizes his error.

  4. Hero is a virtuous and attractive young woman who instantly attracts Claudio’s attention. She has a firm sense of what is right and wrong.

  5. Don Pedro successfully negotiates Hero and Claudio’s wedding and undertakes to bring together Benedick and Beatrice. He is good-natured and gracious.

List of Characters

Don Pedro—Prince of Aragon, courtly and conventional. Fearful of his reputation, he is easily duped by his brother's deception. He enjoys matchmaking.

Leonato—Governor of Messina and father of Hero, whose conventionality is tested by the depth of his grief

Antonio—Leonato's older brother, who tries to philosophize his brother out of his grief, only to find his own anger stirred.

Benedick—Brave, quick-witted and spirited young lord of Padua and a professed misogynist, who will prove his love for Beatrice in a most serious manner

Beatrice—Leona Leonato's niece, whose spirited and merry wit is more than a match for Benedick, and who will, in the end, accept his love and marry him.

Claudio—Young lord of Florence, who, easily swayed by outer appearances, revengefully denounces Hero as a wanton on their wedding day.

Hero—Leonato's daughter; a chaste and docile maiden, wronged by Don John's slander

Margaret and Ursula—Both gentlewomen attending Hero, Margaret is unwittingly employed in Don John's plot to slander Hero.

Don John—Don Pedro's illegitimate brother; an envious and mischief-making malcontent and author of the slander against Hero.

Borachio and Conrade—Followers of Don John who assist him in his slander; Borachio is a drunkard.

Dogberry—Illiterate master constable, whose love of high-faluting words is only matched by his misuse of them, exposes the slanderous deception, thereby saving Hero.

Verges—Headborough, or parish constable, Dogberry's elderly companion.

Sexton (Francis Seacoal)—Learned town clerk, recorder of the examination of Conrade and Borachio, who will see past Dogberry's bumbling and alert Leonato that his daughter's slanderer has been apprehended.

First Watchman and Second Watchman (George Seacoal)—Dogberry's assistants, who providentially overhear Borachio describe the details of the deception perpetrated upon Hero.

Balthasar—Singer attending Don Pedro, whose out-of-key love song sets the tone of the play.

Friar Francis—Priest at the nuptials of Claudio and Hero, who devises a plan to change the hearts of Claudio and Don Pedro and reverse the effects of the slander perpetrated by Don John.

Messenger to Leonato—Announcer of the arrival of Don Pedro and his companions.

Another Messenger—Calls Leonato to the wedding; alerts Leonato that Don John has been taken.

Attendants, Musicians, Members of the Watch, Antonio's Son and Other Kinsmen—Members of the community.

Much Ado About Nothing Characters Discussed

(Great Characters in Literature)

Don Pedro

Don Pedro (PEH-droh), the prince of Aragon. A victorious leader, he has respect and affection for his follower Claudio, for whom he asks the hand of Hero. Deceived like Claudio into thinking Hero false, he angrily shares in the painful repudiation of her at the altar. On learning of her innocence, he is deeply penitent.

Don John

Don John, the bastard brother of Don Pedro. A malcontent and a defeated rebel, he broods on possible revenge and decides to strike Don Pedro through his favorite, Claudio. He arranges to have Don Pedro and Claudio witness what they think is a love scene between Hero and Borachio. When his evil plot is exposed, he shows his guilt by flight. He is a rather ineffectual villain, though his plot almost has tragic consequences.


Claudio (KLOH-dee-oh), a young lord of Florence. A conventional hero of the sort no longer appealing to theater audiences, he behaves in an unforgivable manner to Hero when he thinks she is faithless; however, she—and apparently the Elizabethan audience—forgives him. He is properly repentant when he learns of her innocence, and he is rewarded by being allowed to marry her.


Benedick (BEHN-eh-dihk), a witty young woman-hater. A voluble and attractive young man, he steals the leading role from Claudio. He spends much of his time exchanging sharp remarks with Beatrice. After being tricked by the prince and Claudio into believing that Beatrice is in love with him, he becomes devoted to her. After Claudio’s rejection of Hero, Benedick challenges him, but the duel never takes place. His witty encounters with Beatrice end in marriage.


Hero (HEE-roh), the daughter of Leonato. A pure and gentle girl, and extremely sensitive, she is stunned by the false accusation delivered against her and by Claudio’s harsh repudiation of her in the church. Her swooning is reported by Leonato as death. Her character contains humor and generosity. She forgives Claudio when he repents.


Beatrice (BEE-ah-trihs), Hero’s cousin. Although sprightly and witty, she has a serious side. Her loyal devotion to Hero permits no doubt of her cousin to enter her mind. She turns to her former antagonist, Benedick, for help when Hero is slandered and insists that he kill his friend Claudio. When all is clear and forgiven, she agrees to marry Benedick, but with the face-saving declaration that she does so for pity only.


Leonato (lee-oh-NAH-toh), the governor of Messina, Hero’s father. A good old man, he welcomes Claudio as a prospective son-in-law. He is shocked by the devastating treatment of his daughter at her wedding. Deeply angry with the prince and Claudio, he at first considers trying to kill them but later consents to Friar Francis’ plan to humble them. When Hero is vindicated, he forgives them and allows the delayed marriage to take place.


Conrade (KON-rad), a tale-bearing, unpleasant follower of Don John.


Borachio (boh-RAH-kee-oh), another of Don John’s followers. He is responsible for the idea of rousing Claudio’s jealousy by making him think Hero has received a lover at her bedroom window. He persuades Margaret to wear Hero’s gown and pretend to be Hero. His telling Conrade of his exploit is overheard by the watch and leads to the vindication of Hero. Borachio is much disgruntled at being overreached by the stupid members of the watch; however, he confesses and clears Margaret of any willful complicity in his plot.

Friar Francis

Friar Francis, a kindly, scheming cleric. He recommends that Hero pretend to be dead. His plan is successful in bringing about the repentance of Don Pedro and Claudio and in preparing the way for the happy ending.


Dogberry, a self-important constable. Pompous, verbose, and full of verbal inaccuracies, he fails to communicate properly with Leonato; hence, he does not prevent Hero’s humiliation, though his watchmen already have uncovered the villains.


Verges (VUR-jehs), a headborough. An elderly, bumbling man and a great admirer of his superior, the constable, he seconds the latter in all matters.


Margaret, the innocent betrayer of her mistress, Hero. She does not understand Borachio’s plot and therefore is exonerated, escaping punishment.


Ursula (UR-sew-luh), a gentlewoman attending Hero. She is one of the plotters who trick the sharp-tongued Beatrice into falling in love with Benedick.

First Watchman

First Watchman and

Second Watchman

Second Watchman, plain, simple-minded men. Overhearing Borachio’s boastful confession to Conrade, they apprehend both and take them before the constable, thereby overthrowing clever malice and radically changing the course of events.


Antonio, Leonato’s brother. He plays the role of father to Leonato’s supposed niece (actually Hero), whom Claudio agrees to marry in place of his lost Hero.


Balthasar (BAL-theh-zahr), an attendant to Don Pedro.

A sexton

A sexton, who serves as recorder for Dogberry and the watch during the examination of Conrade and Borachio.

Much Ado About Nothing Character Analysis

Much Ado About Nothing Beatrice (Character Analysis)

Beatrice is the play's witty heroine. Much of her memorable character is original with Shakespeare rather than found in plot sources. She is...

(The entire section is 675 words.)

Much Ado About Nothing Benedick (Character Analysis)

Benedick is a soldier returning from war. He is from Padua, a city in northern Italy and part of the Republic of Venice during the Italian...

(The entire section is 1200 words.)

Much Ado About Nothing Claudio (Character Analysis)

Claudio is a young soldier returning from war. He is originally from Florence, a city in northern Italy noted for culture during the Italian...

(The entire section is 431 words.)

Much Ado About Nothing Dogberry (Character Analysis)

Dogberry is the constable of Messina. This title is a British usage and refers to a police officer or official in charge of keeping the...

(The entire section is 633 words.)

Much Ado About Nothing Hero (Character Analysis)

Hero, depicted as a virtuous and mild young woman, proves to be loving, affectionate, and dutiful to her father, her cousin, and to her...

(The entire section is 481 words.)

Much Ado About Nothing Leonato (Character Analysis)

Leonato is the governor of Messina, a city in northeastern Sicily in Italy. He is the father of Hero, a daughter eligible for marriage. He is...

(The entire section is 569 words.)

Much Ado About Nothing Pedro (Character Analysis)

Don Pedro, a nobleman and soldier, is the Prince of Arragon (Aragon), a region of eastern Spain. He is referred to by Leonato as "your Grace"...

(The entire section is 492 words.)

Much Ado About Nothing Other Characters (Descriptions)

Antonio is Leonato's brother. Antonio is described in the Dramatis Personae as an old man. Ursula mentions...

(The entire section is 2305 words.)