Act II, Scene 1 Summary and Analysis
New Characters: Margaret and Ursula: waiting gentlewomen to Hero
While Leonato's household awaits the arrival of the maskers, Beatrice tells us that no man is her match and she advises Hero on how to answer the prince when he seeks her hand. The maskers arrive and we are treated to a variety of deceits as they dance. Don Pedro, pretending to be Claudio, takes Hero aside. Beatrice, pretending that she does not know that she is speaking with Benedick, uses the opportunity to call him a fool. All exit except Don John, Borachio, and Claudio.
Don John and Borachio purposefully mistake Claudio for Benedick and tell him that Don Pedro is in love with Hero and swore he would marry her that night. Claudio, believing their deception, is joined by Benedick who teases him about losing Hero. Claudio leaves and Benedick reflects on his conversation with Beatrice.
Don Pedro, Hero, and Leonato return. Don Pedro assures Benedick that his wooing was on Claudio's behalf. When Claudio and Beatrice return, Benedick exits to avoid Beatrice. Don Pedro announces that he has won Hero for Claudio, and Leonato concurs. When Beatrice leaves, Don Pedro observes that Beatrice would be an excellent wife for Benedick, and enlists Leonato, Claudio, and Hero to aid him in making a match.
The masquerade ball, fashionable in Tudor England, and the guessing game it engenders, emphasizes the problem of knowing/ not knowing, which leads to harmony/ disharmony. In this scene, Shakespeare offers us both actual music and musical metaphor (Don Pedro teaching birds to sing, i.e., to love).
Claudio's inclination to jealousy and his reliance upon sense information not only leads him to believe Don John's deceit but foreshadows the tragic action he will take at his...
(The entire section is 593 words.)