Part II, Chapter 7 Summary and Analysis
Summary
This chapter opens with an excerpt from a letter to Paul Farmer from Ophelia
Dahl. Dahl, daughter of author Roald Dahl and actress Patricia Neal, came to
Haiti to volunteer with Eye Care and see the world. When she came to Eye Care's
building in Mirebalais, she met Farmer. He was then twenty-three, and she was
eighteen. They talked endlessly about their lives during the week Dahl was at
Mirebalais, then road back to Port-au-Prince (the capital of Haiti) with the
Eye Care team. As they navigated the twisting roads, they ran across a wrecked
"tap-tap" (a truck that carried both passengers and cargo). One woman had been
killed in the wreck.
They saw each other almost every day as they worked with Eye Care and became romantically involved. Farmer wrote Ophelia poetry and educated her on the social and economic realities of Haiti. As they talked, Farmer's plans for his future became clearer, and Ophelia realized that she too wanted to become a doctor. Eventually Ophelia left and went home to England. When she did, she called Farmer's family at his request to let them know he was okay—but Paul's dad thought it was one of Paul's sisters putting on a fake English accent and treated it as a joke.
Analysis
This chapter gives a different perspective on Paul Farmer, or rather, several
of them. The primary shift is, of course, from Kidder's point of view to
Ophelia Dahl's perspective, filtered through time and memory. However, since
their time together was a time of transformation, the account also becomes one
of change. Farmer is shown as very young emotionally at twenty-three, but very
deep spiritually and very powerful intellectually. Farmer came from a complex
but fairly impoverished background, with nowhere near the privileges Dahl had
had with parents who were both famous artistic successes. However, despite that
general background, it was Farmer who learned Creole much faster, soaking up
the language along with the culture. Chapters 5 and 6 had given a sense of
where Farmer came from, and how he appeared in context; Chapter 7 starts to
show how Farmer changes the world and people he comes in contact with. As a
piece of writing, this chapter aligns internal and external events almost
poetically: in the midst of Haitian poverty and punctuated by tragedies like
the woman's death in the wreck, there is love. Finally, readers can watch
Farmer's vision crystallize; Farmer wants to know Haiti in depth, and he takes
Ophelia with him.
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