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Mikhail Bakhtin 1895–1975

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(Full name Mikhail Mikhailovich Bakhtin; also transliterated as Bachtin and Baxtin; also published under the names P. N. Medvedev and V. N. Voloshinov) Russian critic, essayist, and literary theorist.

The following entry provides an overview of Bakhtin's career. See also Mikhail Bakhtin Twentieth-Century Literary Criticism.

One of the most significant literary theorists of the twentieth century, Bakhtin is noted for his studies of the relationship between language, popular culture, and the history of the novel as a literary genre. Claiming that language is an evolving entity whose form and meaning are constantly molded by history and culture, Bakhtin rejected rigid systems of thought that could not account for what he termed "heteroglossia": the polyphony of languages and perspectives that make up modern society and are reflected in its art—most strikingly for Bakhtin in the novel.

Biographical Information

Born in Orel, south of Moscow, Russia, Bakhtin grew up in Vilnius, Lithuania and the Russian port city Odessa. He attended Novorossia University and later transferred to Petersburg University, from which he graduated in 1918. Bakhtin began writing in Petrograd during the postrevolutionary regime of Joseph Stalin, publishing his early works, Formal'nyj metod v literaturovedenii (1928; The Formal Method in Literary Scholarship), Freidizm: Kriticheskii ocherk (1927; Freudianism: A Marxist Critique), and Marksizm i filosofija jazyka (1929; Marxism and the Philosophy of Language) under the names of his students Pavel Nikolaevich Medvedev and V. N. Voloshinov to avoid the censorship and possible exile or execution common to intellectuals during the Stalinist administration. Despite his precautions, Bakhtin fell into disfavor with the government and was arrested in 1929. Due to his poor health, he was exiled to the Russian territory Kazakh rather than sent to prison camp. Before leaving, however, Bakhtin published Problemy tvorčestva Dostoevskogo (1929; Problems of Dostoevsky's Poetics) under his own name; the book was immediately suppressed by the government. Bakhtin lived in Kazakh from 1929 to 1936, preparing his dissertation on the works of François Rabelais. Completed in 1940, Tvorčestva Fransua Rable i narodnaja kul'tura srednevekov'ja i Renessansa (Rabelais and His World) was suppressed by officials until 1965. Bakhtin taught at the Mordovian Teachers' Training College until the beginning of World War II, when he took time off to work on another manuscript. He returned to the college after the war, where he remained until his retirement in 1961. In the 1960s and early 1970s, Bakhtin's reputation outside the Soviet Union grew with the publication of Vo-prosy literatury i estetiki (The Dialogic Imagination) in 1973, and with the increasing academic interest in deconstructionist and structuralist theory. He died in Moscow in 1975.

Major Works

Bakhtin is credited with introducing several seminal concepts to the field of literary theory. Contemporary critics comment that in the earliest works Bakhtin's ideas proved to be precursors to much modern structuralist and poststructuralist theory. In The Formal Method in Literary Scholarship, Bakhtin criticized Russian Formalism's essentialist approach to literature, positing instead a sociological materialist method of study. Marxism and the Philosophy of Language outlines Bakhtin's sociohistorical theory of language, criticizing Ferdinand de Saussure's biophysiological linguistics. Freudianism: A Marxist Critique evaluates Freudian psychoanalysis from a Marxist materialist perspective. In his later works, Bakhtin expanded upon his sociohistorical focus—which he would eventually term "heteroglossia"—applying it to literature as well as linguistics. Problems of Dostoevsky's Poetics presents the ideas of polyphony and...

(The entire section contains 65393 words.)

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Bakhtin, Mikhail (Twentieth-Century Literary Criticism)