Act III, Scene 1: Questions and Answers
1. Why does Quince feel their rehearsal spot is ideal?
2. Why does Bottom feel they need two Prologues to the play?
3. How do they solve the problems of representing the moonlight and the Wall in their play?
4. Why is Bottom alone when Puck changes his head to that of an ass?
5. How is it that Bottom is alone when Titania awakes?
6. Why hasn’t Bottom followed his friends from the wood?
7. Why does Titania awake?
8. What does Titania offer Bottom?
9. What is his reaction to this offer?
10. What part are the fairies to play in this?
1. Quince feels that the rehearsal spot in the wood is “a marvelous convenient place” for practicing their play because there is a flat area, a green plot, to serve as the stage and shrubs (hawthorne) to represent the tiring house (dressing room).
2. Bottom feels the craftsmen need “a device to make all well” —two Prologues (opening speeches) to the play—to warn the ladies of the audience that there will be a sword scene which is only acting, no one is really going to be hurt, and that the Lion is only an actor, not an actual savage beast who may harm them.
3. The craftsmen solve the problems of the moonlight and the wall by checking the almanac and assuring themselves there will, indeed, be moonlight to shine through the window (casement) on stage the night of the play. “Some man or other must present Wall,” is Bottom’s suggestion. This actor is to be loam covered and hold his fingers out between Pyramus and Thisbe, who are supposed to be speaking through a wall.
4. Bottom is alone when Puck changes his head to that of an ass because Quince has the actors rehearsing with their stage directions, which are entrances and exits from the stage and the movements they are to make on the stage itself. Bottom has just had an exit cue (word in the script...
(The entire section is 653 words.)