Illustration of a donkey-headed musician in between two white trees

A Midsummer Night's Dream

by William Shakespeare

Start Free Trial

What is the significance of the setting shifts in A Midsummer Night's Dream?

Expert Answers

An illustration of the letter 'A' in a speech bubbles

The setting of A Midsummer Night's Dream alternates between the city of Athens and the enchanted and mysterious forest area just outside of its walls. Specifically, the the three acts in the middle of the play—acts II, III, and IV—take place in the forest, while the play is book-ended by the settings of acts I and V, which take place in Athens and, for the most part, in Theseus' palace.

In the world of the play, every aspect of these two locations are in complete contrast with one another, down to the very nature of the world and laws of reality. The city of Athens is marked by laws, social norms, and a general sense of order. Ironically, however, the laws of the land do nothing but throw the characters of the play's emotions into chaos. We can see that Hermia's indecision, Demetrius' fickle nature, and Lysander's entitlement has caused everyone to behave erratically. For example, while Theseus in this play is understood to be a symbol of patriarchal power, it certainly seems more than a little extreme that he would threaten Hermia with death.

In contrast, in the world of the forest every law of nature is completely turned on its head and the action seems to be nothing but outright chaos. The characters who are the most foolish in the civilized world are the most empowered with the help of mischievous fairy magic. However, this insane world is able to heal the woes of the primary characters' lives in a way that the orderly rule of Theseus could not. It is only through this freedom that the characters are able to find happiness.

Approved by eNotes Editorial
An illustration of the letter 'A' in a speech bubbles

Generally speaking, in literature—and it is no different in this particular play—cities are often represented as places that are symbolic of rules and societal expectations; nature, and the woods, on the other hand, are symbolic of freedom from those rules and expectations.  In the city, Hermia and Lysander are not allowed to be together, because her father makes the rules and he wants her to marry Demetrius. After meeting in the forest—and a comedic bit of mistaken magic—they find each other again and are able to be together despite her father, Egeus.  Likewise, in the city, Nick Bottom is ridiculous, mocked, but in the woods, he becomes the love of the queen of the fairies, Titania.  Things that are simply not possible in Athens become absolutely possible in the natural setting of the forest.  It is a place of magic and freedom while the city is bound by rules and restrictions.

Approved by eNotes Editorial
An illustration of the letter 'A' in a speech bubbles

Shakespeare uses two distinctly different locations in the play A Midsummer Night's Dream.  One (the setting at the beginning and end of the play) is the court and city of Athens in ancient Greece, and the second is an unnamed forest, or woods (the setting of the middle section of the play).

There are a few significant observations to make about these two settings:

  1. The first setting, Athens, represents the "real" world with all its problems and mundane human daily life.  The second setting, the woods outside Athens, represents the fantastical events of a dream.  At the end of Act I, when the setting switches to the forest, it signals the beginning of the "dream," and when the Lovers and Bottom are awakened in Act IV, they are literally returned to their real lives in the mundane world of Athens.
  2. The world of Athens and its court is one of law and order, ruled by the logic of the laws, rather than by emotion or feeling.  This is displayed by Theseus as he sides with Egeus over Hermia's impassioned plea.  He must choose the law.  In the forest, however, Titania and Oberon rule with their emotions, plotting and scheming against each other, but just as swiftly overturning and forgiving when their moods have shifted.  So, the world of Athens is one of law and order, and the world of the Fairies in the forest is one of emotion and caprice.
  3. For Elizabethans, the woods represented magic and mystery and fairies really did live there.  It was a magical and somewhat forbidding place, where unexplained and sometimes frightening events could transpire.  Thematically, this relates to a darker, hidden world, while the world of Athens is a light and predictable (though sometimes unhappy) place.

To answer your specific question about the shifts, they happen between Acts I and II, when the scene changes from Athens to the woods, and then, during Acts IV and V, there is a more gradual transition back to Athens.

Theseus, Hippolyta and Egeus wake the Lovers as they are hunting in Act IV, thus bringing a bit of the law and order of Athens to the edge of the woods where the Lovers sleep.  Theseus, it seems, is affected somewhat by his proximity to the world ruled by the emotions (the woods), as he decides to pardon Hermia for her disobedience and allow the Lovers to join himself and Hippolyta on their wedding day.

Act IV, scene ii brings the play fully back to the daily world of Athens, as the Mechanicals, gathered at Quince's house, await the return of Bottom.  As a note:  Quince's house is also a "setting," but is contained within the perimeters of the world of Athens, so I have not listed it as a "major" location.

For more on the settings of A Midsummer Night's Dream, please follow the links below.

Approved by eNotes Editorial
An illustration of the letter 'A' in a speech bubbles

I think the setting of the play, Athens, is really important when you consider the changes that take place within the play between the action that occurs actually in Athens itself, and the action that happens out in the woods.

Athens represents order and education, government and civilization at its finest, and the play begins right in the middle of a dispute regarding Athenian law. If Hermia refuses to marry the man of her father's choosing, he has the right to put her to death. And Duke Theseus is willing to go along with this because it is the law of the land. So Athens represents not only order and law, but also the older generation's unbending desire to uphold said laws.

The woods outside of Athens, where the lovers escape and run wild while having love potion put on the wrong sets of eyes by Puck, represent disorder and chaos, as well as the youthful energy of the younger generation that has fallen into this pastoral setting.

I saw this play recently at our local college theater, and they had tall Greek pillars in the back of a very simplistic stage setting. When the action was happening in Athens, all the pillars were perfectly upright. However, during the scenes in the woods, one of the pillars was tilted about 45 degrees, to represent that things are a bit kooky and off-center in the woods among the fairies!

Check the link below for thematic information about the play!

Approved by eNotes Editorial
An illustration of the letter 'A' in a speech bubbles

Identify the significance of the setting, including the major shifts in locale that take place, and when they occur in A Midsummer Night's Dream.

In A Midsummer Night's Dream by William Shakespeare, the settings of the different scenes reflect the "realities" of the world the characters inhabit during the play. The Elizabethans believed that the world of the fairies came to light after dark, when these mystical creatures inhabited the woods.

The audiences of Shakespeare's time, therefore, would know that no wise person would ever venture into the woods once the sun went down. Shakespeare is perhaps the one author most responsible for presenting fairies in an entirely different light than had been done so before his time. Up until this point, people believed that fairies could be more than mischievous, but also malicious and nasty. For instance, at one time they believed that fairies would steal their children, leaving a changeling in their baby's place.

However, Shakespeare presents the fairies in this play as playful sprites who would entertain themselves at the expense of humans, but make things right by the end of the evening. The audience would have had no doubt that what transpired in the play would actually happen to them if they were in the woods after dark.

With this in mind, the world of the fairies existed for man to see during the night in the forest. The woods during the day belonged to human beings. And if an unsuspecting human trespassed into the fairy realm after dark, mischief was afoot and strange occurrences would be witnessed.

When the Nick Bottom and his fellow thesbians go into the woods to practice the play they want to perform at the Duke's wedding, they take the risk of being the evening's entertainment for the fairies. In fact, a good deal of the play's humor revolves around the spell Puck puts on Nick to turn him into an "ass."

When the young lovers (Lysander and Hermia) plan to run away together, and others (Demetrius and Helena) come to "stop" them, Oberon (King of the Fairies) and Puck (his faithful "henchman") also get involved: Oberon wants the lovers to end up in "happily-ever-after" with the right person, and so he plays the matchmaker with Puck's assistance.

Major shifts of locale take place between the human world (the woods during the daytime where the lovers first plan to elope) and when the lovers leave the civilized world to travel through the forest (the fairy realm) at night. "Sanity" returns when the young people leave the woods at daybreak, thus making their experiences feel like a "dream."

When the sun is up, the world reverts to the control of the humans, and all is "right with the world."

See eNotes Ad-Free

Start your 48-hour free trial to get access to more than 30,000 additional guides and more than 350,000 Homework Help questions answered by our experts.

Get 48 Hours Free Access
Last Updated on