Midnight Dreary: The Mysterious Death of Edgar Allan Poe

by John Evangelist Walsh

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Themes and Characters

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"[Poe] was not a man who held his liquor well," Walsh observes with a touch of wry humor. There's reason to suspect Poe might have been sensitive to alcohol, as even a modest amount could overwhelm and embarrass him. Yet, Walsh does not depict Poe as a frail, decaying figure. On the contrary, he describes Poe as vigorous and lively, a person who, more often than not, was diligent and abstinent. Walsh recalls a youthful Poe, athletic and full of life, suggesting he would have defended himself fiercely if accosted.

The Sincerity of Love

Walsh is also convinced of Poe's genuine affection for Shelton. Although Poe might have entertained hopes of utilizing some of Shelton's wealth to launch a magazine, his ardor persisted even after discovering her finances would be absorbed into a trust fund. Walsh paints a portrait of Poe as a man deeply in love, anticipating the love and stability marrying Shelton promised. Despite being far from flawless—with a notorious penchant for flirtations and the occasional drinking spree—Poe's public commitment to a Richmond temperance society spoke volumes of his earnest affection for his childhood sweetheart. Walsh interprets this as evidence of Shelton's positive influence, casting a spotlight on the profound love between Poe and Shelton, a love that underscores the haunting narrative of Midnight Dreary, where an inevitable doom looms over them.

A Man with Purpose

Within the pages of Midnight Dreary, Poe emerges not as the notorious, tempestuous eccentric credited with chilling tales but as a dignified, albeit impoverished, figure. Even as his clothes grew threadbare, he wore them with pride. More than a mere wanderer, Poe was a man with a mission—seeking to settle in his childhood city of Richmond and renew his editorial successes with a new magazine. His deliberate choices were weighted with meaning and ambition. Though cruel circumstances may have thwarted his dreams, Walsh highlights the promising detail that Poe was actually beginning to enjoy financial success from his lectures, hinting at a brighter horizon.

Poe's Human Side

The Poe depicted in Midnight Dreary is a man of charm, capable of wooing Shelton with grace after initial missteps. Walsh suggests that Poe could have transformed potential adversaries, like Shelton's children Ann and Southall, into allies, showcasing his ability to endear himself, especially to the young. Walsh's portrayal rings true, depicting the multifaceted nature of Poe—his strengths, vulnerabilities, and the possibility of rekindling Shelton's affections.

"Close familiarity with all the surrounding circumstances," Walsh asserts, "and with one indisputable fact in particular, amply demonstrates that much of their old love had blossomed again, flourishing in a way that may have taken both by surprise." The theme of love pulses through Midnight Dreary, capturing its emotional gravity. It seems almost inevitable that Poe would be drawn to Shelton—financial struggles were a constant shadow. Yet, Poe's newfound financial stability from his lectures meant that Shelton's wealth was no longer a necessity. Furthermore, she would forfeit most of it upon marrying him.

The Charm of Shelton

Though Shelton's photograph in Midnight Dreary might paint a stern image, Walsh insists that beneath this exterior was a woman of enchanting conversation and sparkling wit, traits that charmed Poe. Her laughter illuminated Poe's life, which had often been shrouded in sorrow. It's little wonder he rediscovered the affection he felt for her as a youth, seeing once again the girl he loved before life's hardships intervened. His renewed love was profound, fueled by memories of his late wife, whose tragic death had left a painful void Shelton began to heal.

Shelton, in return, saw in Poe a matured...

(This entire section contains 1119 words.)

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reflection of the young man who had once dreamed of marrying her. His enchanting smile and knack for putting her at ease made him a cherished companion. Walsh wisely notes that the complexities of love defy easy explanation, but he speculates that Poe reciprocated by rekindling laughter in her life. Having lost a husband, Shelton might have found in Poe an ally in overcoming her grief. Poe demonstrated unwavering devotion, save for one instance when he overruled her wishes to travel north for business despite his illness. Yet, Shelton offered the stability and security Poe craved, leaving readers to ponder why he didn't heed her advice.

In the realm of grand romantic tales, love often cloaks itself in tragedy. Just as Romeo and Juliet meet their somber end, or Rochester bears his grievous wounds in Jane Eyre, so too is the tragic reality unveiled in Midnight Dreary. Here, the drama is not woven from fiction but from the lives of real individuals, bound by the unyielding laws of history. Facts remain steadfast, immune to the whims of narrative twists or the desires for suspense. Nonetheless, Midnight Dreary spins a mystery centered around a man's demise, with death serving as the omnipresent specter that heightens the tension. The love between Shelton and Poe beckons readers to care deeply, while Walsh's imaginative depiction of the days leading to Poe's death encapsulates the inexorability of tragic romance, stirring a desperate longing to warn Poe of his looming fate.

It is undeniable—Poe meets his end. Readers of Midnight Dreary likely approach the book with the knowledge that Edgar's life concludes in death, leaving Elmira shrouded in grief. The challenge lies in sustaining suspense regarding the circumstances of Poe’s passing. In this, Walsh excels. He explores the myriad theories previously suggested, methodically dismissing them one by one. The "cooping" theory emerges as a plausible explanation—a nefarious scheme where the downtrodden were abducted, inebriated, and coerced into casting fraudulent votes. Could Poe have fallen victim to such a plot, only to be abandoned on the streets? Walsh presents evidence contradicting this notion, revealing that no such cooping occurred on that election day.

Theories and Mysteries

The intrigue deepens with the introduction of Mrs. Elizabeth Oakes Smith's articles, which boldly claim Poe was murdered. Meanwhile, Sarah Helen Whitman’s attempts to obscure the murder allegations only muddle the mystery further by hinting at avenging brothers. "Brothers? Where did they originate? Whose siblings are they?" ponders Walsh. Channeling the astuteness of Auguste Dupin, he meticulously pieces together the scattered clues, presenting a narrative where every fact aligns with precision. It is exhilarating to race alongside him through Poe's final days, dodging the clutches of murder, only to be ensnared by malevolence.

A Tale of Love and Loss

Interweaving the tale of romance with the enigma of murder, Midnight Dreary resonates with poignancy, evoking a sense of unfulfilled dreams and squandered potential. As Walsh poignantly reflects, "The image of Poe, at peace with the world and his own shortcomings, gracefully aging alongside the girl of his youthful affection, lingers as a haunting possibility."

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