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How does Middlemarch portray a web of interpersonal and societal relations, not just Dorothea's story?

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Middlemarch portrays a complex web of interpersonal and societal relations by focusing on the interconnected lives of a small town, illustrating issues like hypocrisy, political corruption, and financial problems that resonate broadly. George Eliot uses the town as a microcosm for society, showing how individual actions affect others, such as through gossip or acts of kindness. While Dorothea is a central figure, the novel emphasizes a tapestry of numerous interconnected characters and storylines.

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The subtitle of Middlemarch is A Study in Provincial Life because the novel focuses in on the inner workings of a small town and the inter-relatedness of each member of the town. Middlemarch is a fictional town in the midlands region of Victorian England, making it representative of an "everytown," but it can also been seen as a microcosm for British society and possibly even humanity as a whole. The issues faced by the members of Middlemarch—hypocrisy, unsatisfactory employment, political corruption, financial problems, unhappy marriages, miscommunication, etc.—are problems faced by people virtually everywhere.
By making Middlemarch a small town, George Eliot is also able to easily demonstrate how the actions of one person can influence the actions of many others. News and gossip travel fast in Middlemarch—think about how quickly Bulstrode is brought down when it comes out that he gained his fortune through corrupt means. Think also about how...

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many people were affected by his poor choices. While bad choices influence others, small acts of kindness from one character to another also go far in Middlemarch. Dorothea reaches out to Rosie during a difficult time in her marriage, for example, and Bulstrode's wife forgives her husband. Both of these moments show extreme compassion and positively impact the characters involved.
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George Eliot, whose real name was Mary Anne Evans was born in 1819 into a rapidly industrializing, and therefore rapidly changing England and Middlemarch:  A Study of Provincial Life is similar to an epic, with one major difference:  where the epic usually follows one or two heroes, Eliot/Evans has focused on an entire village of people in an effort to accuragtely depict life in an entire village at this time.  In some ways, the novel functions like the dying American soap opera form; there are many characters woven into a tapestry of connections, with no appreciable emphasis on one character over another.  If one had to pick a "main character" it would probably be Dorothea, whose ill-fated love life was known to make many readers unhappy at the time the novel was first released.  However, when deconstructing the various books that comprise the novel, no fewer than twenty characters emerge, all with their own place in the novel, and with connections that severed would disrupt other storylines. 

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