Chapters 19-22 Summary and Analysis

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Chapter 19

In Rome, Will stares at the Belvedere Torso in the Vatican. His friend, a young German painter called Adolf Naumann, comes up to him and remarks on the beauty of a young woman nearby, saying that she should be dressed as a nun to make a perfect subject for a painting. However, he can see that she is married because she is wearing a wedding ring. Will says that he knows the woman, who is married to his cousin, Casaubon, but he has only met her once and had no idea that she was coming to Rome. Naumann wants Will to introduce him to Mrs. Casaubon, so he can paint her portrait, but Will says that “English ladies are not at everybody’s service as models.” He finds that he is not only annoyed with his friend for his flippant attitude but irritated with himself for becoming so annoyed over such a trivial matter. 

Chapter 20

Two hours after Will saw her in the Vatican, Dorothea is in her apartment on the Via Sistina, sobbing bitterly. She does not know why she is so unhappy and is inclined to blame herself for her “spiritual poverty.” She has been married to Casaubon for six weeks and has been in Rome for five, seeing all the beautiful sights of the city, yet she has felt dull and forlorn. She tells herself that her husband has not changed. He is learned and thoughtful, and expresses laudable sentiments. However, there is a lack of understanding between them. When Dorothea tries to ask Casaubon how he feels about the works of art with which they are surrounded, the answers he gives are cold, formal, and dismissive. 

As they make plans to return to Lowick, Dorothea asks if Casaubon will now begin to use all the notes he has made to write the book he has been planning for so long. She offers to help him in any way she can. Casaubon, however, is sensitive on this point because he is doubtful of his own abilities and is angered by this suggestion, which seems accusatory to him. He tells her coldly that he knows how to conduct his own work, the details of which are inexplicable to “ignorant onlookers.” This arouses Dorothea’s indignation, and the couple has their first quarrel. Both are shocked at their anger toward one another. 

Chapter 21

As Dorothea cries in her apartment, she is interrupted by a visit from Will, who explains that he had not known the Casaubons were in Rome until he saw her at the Vatican. He found their address at the post office, then came immediately to pay his respects. Dorothea says that Casaubon is away, as he usually is from breakfast until dinner because he is so busy with his work. Will is shocked to find that, having married such a beautiful young woman, Casaubon leaves her alone every day and spends his honeymoon “groping after his mouldy futilities” in dusty libraries. 

Will mentions that many of his friends in Rome are German and says that he thinks Casaubon’s work would be much easier and more advanced if he could read German because so much recent scholarly work in the field of mythology is written in that language. He compares Casaubon to a man “groping about in woods with a pocket-compass” when good roads are available if he knew where to look for them. Dorothea is thoroughly alarmed by the thought that Casaubon’s work might be futile. When Casaubon returns, he greets Will politely and invites him to dinner the following day. However, he is...

(This entire section contains 946 words.)

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not happy to see him and believes that Dorothea should not have spoken to his cousin while he was absent. 

Chapter 22

At dinner the next day, Will is charming and deferential to Casaubon, pleasing Dorothea. He invites them to see some artists’ studios, saying that he has been studying with Naumann and is making a sketch of Christopher Marlowe’s Tamburlaine in a chariot drawn by conquered kings. When they visit Naumann’s studio, Naumann says that he would like to use Casaubon as his model for a painting of Saint Thomas Aquinas. Casaubon is pleased and so is Dorothea, whom Naumann also paints as Santa Clara. Dorothea thinks that the connection Naumann has made between her husband and Saint Thomas proves his wisdom and worthiness. However, when he talks to Will later, Naumann disparages and ridicules Casaubon. This embarrasses Will, as Naumann does not know that he is under an obligation to Casaubon, and he is even more exasperated by Naumann’s comments about Dorothea’s beauty, which seem presumptuous. 

Before the Casaubons leave Rome, Will visits Dorothea to say goodbye in the middle of the day, when he knows his cousin will not be at home. During the course of their conversation, he says that she is too young to be “shut up in that stone prison at Lowick.” Dorothea, however, replies that Will may not like Lowick but it is the home she has chosen for herself. She is most anxious about his earlier observations that recent German scholarship may invalidate Casaubon’s work and asks him to explain. Will says that the academic field of mythological studies is changing rapidly, and Casaubon is many years behind the latest scholarship. He thinks he has offended Dorothea and that she dislikes him, but she says that she likes him very much. When she later mentions Will’s name to her husband, however, Casaubon responds coldly, saying that he has behaved dutifully towards Will but is not interested in him and does not want to discuss his future.

Expert Q&A

What are Dorothea's aspirations and emotions, and how do Causabon, Ladislaw, and Will affect her in chapters 20-22?

Dorothea aspires to create meaningful change and improve lives, driven by her intelligence and idealism. Her marriage to Casaubon, a conservative scholar, suppresses her dreams, leading to unhappiness and emotional turmoil. Casaubon's death releases her from this constraint. Will Ladislaw, Casaubon's cousin, shares her ideals and offers emotional fulfillment, leading to a happier marriage. Despite this, Dorothea never fully realizes her ambitions due to societal limitations, remaining strong-willed but unfulfilled.

How are Dorothea's hopes and expectations shattered in chapters 20-22, and what are her responses to her losses?

In chapters 20-22, Dorothea's hopes for a fulfilling marriage and intellectual partnership with Mr. Casaubon are shattered. She realizes her husband lacks passion and doesn't respond to her emotional needs, leading to feelings of desolation and regret over her choice. Her interaction with Will Ladislaw offers a glimpse of understanding and connection, but his decision to leave further isolates her. Dorothea responds by resigning to her role as a dutiful wife, accepting her unfulfilled aspirations.

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