Michael Ondaatje Criticism
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Ondaatje, Michael
- Introduction
- Principal Works
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Criticism
- A Trick with a Glass: Michael Ondaatje's South Asian Connection
- Destructive Creation: The Politicization of Violence in the Works of Michael Ondaatje
- ‘So Many Varieties of Murder’: Detection and Biography in Coming through Slaughter
- Whirling Blindfolded in the House of Woman: Gender Politics in the Poetry and Fiction of Michael Ondaatje
- Patrick's Quest: Narration and Subjectivity in Michael Ondaatje's In the Skin of a Lion
- Trade and Power, Money and War: Rethinking Masculinity in Michael Ondaatje's The English Patient
- ‘The English Patient Reposed in His Bed Like a [Fisher?] King’: Elements of Grail Romance in Ondaatje's The English Patient
- In the Skin of a Lion as a Cubist Novel
- Gazes in the Mirror-World
- The Gospel of Almàsy: Christian Mythology in Michael Ondaatje's The English Patient
- Review of Handwriting: Poems
- Solos and Chorus: Michael Ondaatje's Jazz Politics/Poetics
- ‘Call Me by My Name’: Personal Identity and Possession in The English Patient
- ‘The Bright Bone of a Dream’: Drama, Performativity, Ritual, and Community in Michael Ondaatje's Running in the Family.
- Murder on the Island
- Sri Lankan Skeletons
- A Passage to Colombo
- Review of Handwriting: Poems
- ‘A Sort of Improvisation Happens.’
- Guys Who Worked on the Movie
- Further Reading
- Ondaatje, (Philip) Michael (Vol. 29)
- Ondaatje, (Philip) Michael (Vol. 14)
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Ondaatje, (Philip) Michael
- Introduction
- Principal Works
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Criticism
- Controlling the Jungle
- Moving to the Clear: Michael Ondaatje
- Point Blank: Narrative in Michael Ondaatje's the man with seven toes
- ‘I Send You a Picture’: Ondaatje's Portrait of Billy the Kid
- On the Brink
- Coming Through
- A Note on Ondaatje's ‘Peter’: A Creative Myth
- Narrative in Michael Ondaatje's ‘the man with seven toes’
- Poetry and Maturing Poetics
- Further Reading