Michael Benedikt Criticism
Michael Benedikt, an influential American poet, editor, critic, translator, playwright, and song composer, is renowned for his distinctive approach to poetry, characterized by unexpected shifts in subject and logic. His work often reflects his fascination with surrealist art and theater, incorporating these elements to create innovative and thought-provoking pieces. Benedikt's experimentation with prose poems, particularly in his collection Night Cries, showcases his ability to challenge traditional poetic norms and explore the boundaries of the form. As discussed by Jerome J. McGann, Benedikt masterfully blends Romantic roots with a critique of verse poetry, crafting self-aware works that defy expectations. However, as critiqued by Ben Howard, some of these prose poems are perceived as lacking in surprise and depth, offering novelty rather than substantial insights. Additionally, Kathleen Wiegner criticizes Benedikt for his reliance on absurdity and surrealism, suggesting that his work sometimes falls into the trap of clichéd language and pessimism. Despite these critiques, Benedikt's contributions remain significant, as he continues to push the boundaries of contemporary poetry.
Contents
- Benedikt, Michael (Vol. 4)
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Benedikt, Michael (Vol. 14)
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The Virtues of Prose
(summary)
In the following essay, Jerome J. McGann explores Michael Benedikt's mastery of the prose poem form in his collection Night Cries, highlighting its Romantic roots and critique of verse poetry while emphasizing Benedikt's ability to create self-aware, innovative works that challenge conventional poetic norms.
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Four Voices
(summary)
In the following essay, Ben Howard critiques Michael Benedikt's Night Cries for its predictable narratives and lack of conviction, arguing that despite their intent to subvert conventional perceptions, the pieces often fail to surprise or challenge the reader, instead offering novelty rather than lasting insights.
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Heroes and Heroines of Private Life
(summary)
In the following essay, Kathleen Wiegner critiques Michael Benedikt's work as overly reliant on absurdity and surrealism, arguing that his poems use clichéd language and lack the craft of traditional poetry, ultimately portraying a pessimistic view of humanity and the interchangeability of people with inanimate objects.
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The Virtues of Prose
(summary)