At a Glance

  • The Metamorphosis is a story about one man's obligations to his family. Before his transformation, Gregor supports his family as a traveling salesman. Once freed of that responsibility, Gregor starts to feel like a burden to his family. He thinks of his death as a kind of sacrifice that will allow them to move on with their lives.
  • Isolation and alienation are major themes in The Metamorphosis. Gregor's physical transformation makes him a creature, stripping him of his humanity in the eyes of his family. Gregor's inability to communicate further isolates him.
  • Gregor's family often defines him by his ability to work. When he supported them financially, they treated him deferentially, giving him the big room in the center of the apartment. As soon as he's unable to provide for them, however, he becomes a burden, and they long to be rid of him.

Themes and Meanings

(Comprehensive Guide to Short Stories, Critical Edition)

Kafka’s art is so profoundly ambiguous and multivalent that no single analysis can completely comprehend it. This evaluation will stress a psychoanalytic, expressionistic interpretation.

Gregor’s metamorphosis accomplishes several of his aims: First, it frees him from his hated job with an odious employer by disabling him from working; second, it relieves him of the requirement to make an agonizing choice between his filial duty to his parents—particularly his father—and his desperate yearning to emancipate himself from such obligations and dependence. It thus enables him to “bug out” of his loathsome constraints yet do so on a level of conscious innocence, with Gregor merely a victim of an uncontrollable calamity. Moreover, Gregor’s fantasies include aggressive and retaliatory action against the oppressive firm. He accomplishes this by terrorizing the pitiless, arrogant office manager, who tells him, “I am speaking here in the name of your parents and of your chief.” On the conscious level, Gregor pursues the clerk to appease him and secure his advocacy for Gregor’s cause at the office; subconsciously, his threatening appearance and apparently hostile gestures humiliate his hated superiors.

Gregor’s change also expresses his sense of guilt at having betrayed his work and his parents, at having broken the familial circle. It is a treacherous appeasement of this guilt complex, inviting his isolation, punishment, and death. His loss of human speech prevents him from communicating his humanity. His enormous size, though an insect (he is at least two feet wide), his ugly features, and his malodorous stench invite fear and revulsion. Yet his pacific temperament and lack of claws, teeth, or wings make him far more vulnerable than when his body was human. His metamorphosis therefore gives him the worst of both worlds: He is offensive in appearance but defenseless in fact, exposed to the merciless attack of anyone—such as his furious father—ready to exploit his vulnerability.

“The Metamorphosis,” then, can be seen as a punishment fantasy with Gregor Samsa feeling triply guilty of having displaced his father as leading breadwinner for the family, for his hatred of his job, and resentment of his family’s expectations of him. He turns himself into a detestable insect, thereby both rebelling against the authority of his firm and father and punishing himself for this rebellion by seeking estrangement, rejection, and death. Insofar as Gregor’s physical manifestation constitutes a translation of the interior self to the external world, “The Metamorphosis” is a stellar achievement of expressionism.


(Beacham's Encyclopedia of Popular Fiction)

Kafka develops the theme of alienation against the notion of the parasitical, and it is all done with a subtle irony of transforming the...

(The entire section is 183 words.)


(Short Stories for Students)

Alienation at Work
One of the themes of the story is the unpleasantness of work. Gregor Samsa hates his job as a travelling...

(The entire section is 866 words.)