The Metamorphoses of Ovid Criticism
- Introduction
- Principal Works
-
Essays
- Unity in Ovid's Metamorphoses
- Philemon and Baucis in Ovid and La Fontaine
- Narrative Art in the Metamorphoses
- Structure and Intention in the Metamorphoses
- Milton and the Pygmies
- ‘Some There Be that Shadows Kiss’: A Note on The Merchant of Venice, II.ix.65
- Richard Wright's ‘Big Boy Leaves Home’ and a Tale from Ovid: A Metamorphosis Transformed
- The Medusa Interpolation in the Romance of the Rose: Mythographic Program and Ovidian Intertext
- Ovid's Metamorphoses and the Politics of Interpretation
- Ovid's Little Aeneid and the Thematic Integrity of the Metamorphosis
- The Anxieties of Ovidian Influence: Theft in Inferno XXIV and XXV
- Ovid's Use of Lucretius in Metamorphoses 1.67-8
- The Stupor of Orpheus: Ovid's Metamorphosis 10.64-71
- Constructions of Venus in Ovid's Metamorphosis V
- Glittering Trifles: True Imitation: Ceyx, Alcyone, and Morpheus
- As in Ovid, So in Renaissance Art
- Inspirational Fictions: Autobiography and Generic Reflexivity in Ovid's Proems
- Ovid's Heroines and Feminine Discourse: Metamorphoses 7 and 10
- Etymological Wordplay in Ovid's ‘Pyramus and Thisbe’ (Met. 4.55-166)
- Further Reading