Student Question
In The Merchant of Venice, why did the Prince of Arragon choose silver over gold and lead?
Quick answer:
The Prince of Arragon chooses the silver casket because he believes its inscription, "Who chooseth me shall get as much as he deserves," aligns with his self-perception of merit and honor. He rejects gold as too common and lead as unworthy of risk. Arragon's choice reflects his arrogance and materialism, but his selection reveals a fool's head, teaching him a lesson about presumption. This highlights the wisdom in Portia's father's test for her suitors.
In act 2 of William’s Shakespeare’s comedy The Merchant of Venice (1600), we see one of the play’s most important plots unfold: the choices made by Portia’s suitors. Three caskets, or ornamental boxes—gold, silver, and lead—are placed before the suitors. The casket each suitor chooses will reveal whether or not they have won Portia’s hand in marriage. The only couple of clues the suitors have about what is inside the caskets are the material of the casket itself and the mysterious inscriptions on each. The test has been cleverly designed by Portia’s father to reveal the virtues and flaws in the character of the suitor.
When the Prince of Arragon (whom I'll refer to as Arragon from this point on) approaches the caskets, the way he describes them reveals something about his own personality: “Gold, silver, and base lead.” Base, of course, means lowly. Thus, Arragon’s choice of descriptor...
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for the lead casket begins to show us that he is someone who judges things by their appearance and monetary value. The inscription on the lead casket puts off Arragon even more. “Who chooseth me must give and hazard all he hath.' / You shall look fairer, ere I give or hazard.” Arragon feels the lead should be far more luminous and beautiful-looking for him to risk anything for it. Again, we see his bias towards the “look” and social worth or status of an object. He rejects gold too, since it is “what many men desire,” and he does not wish to “jump with common spirits . . . and rank with the barbarous multitudes.” Arragon sees himself as nobler, more cultured, and more refined than most people, and that is why he does not want to choose what everyone desires. Finally, he approaches the silver casket:
Why, then to thee, thou silver treasure-house;
Tell me once more what title thou dost bear:
"Who chooseth me shall get as much as he deserves:"
And well said too; for who shall go about
To cozen fortune and be honourable
Without the stamp of merit?
The inscription immediately appeals to the proud Arragon for two reasons. One, he believes that everything he has achieved has been well-deserved because of his “merit.” He believes he has “clear honour,” which distinguishes him from the “chaff,” or the riff-raff of his times, making him worthy of the highest treasure life has to offer. Two, he believes beautiful and wise Portia is exactly “as much as he deserves.” Since he is honorable and meritorious, he deserves the most perfect bride of all. Further, in Elizabethan times silver was also the metal associated with money and greed, while gold stood for luxury. Thus, Arragon’s choice reflects his love for materialism and status. It also echoes his own self-image, which is extremely high, but has little to do with what he can give Portia as a husband. However, when he unlocks the casket, what he finds is not a portrait of Portia, but an image of a “blinking idiot,” a fool.
Did I deserve no more than a fool's head?
Is that my prize? are my deserts no better?
What the casket reveals is a lesson for Arragon about the true “deserts” of presumption and arrogance. He is to take home a “fool’s head,” rather than the lovely Portia. The contents of the casket also reinforce our faith that Portia will get the suitor she deserves, and desires, and no less. Even though the choice of her husband has not been left to her, her deceased father’s lottery has at least been designed wisely. It would be very interesting to consider how much “choice” Portia herself gets to exercise in finding a life-partner, how her father controls her even from his grave, and how Shakespeare treats this thorny subject. Applying the principles of feminist criticism to the plot of the three caskets could help you see the events of the play in a fresh light.
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