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Last Updated on January 22, 2020, by eNotes Editorial. Word Count: 1014

The Silencing of Female Voices

Rebecca Solnit’s essay “Men Explain Things to Me” provides a powerful antidote to the global issue of female silencing and assumptions of male superiority. Solnit provides both personal and global examples of female silencing throughout the entirety of her essay, beginning with her opening scene of a man at a party condescendingly asking, “in the way you encourage your friend’s seven-year-old to describe flute practice,” about the books Solnit has published. Despite the extensive expertise a woman may possess, Solnit argues that most women have been conditioned toward a life of self-doubt:

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It’s the presumption that makes it hard, at times, for any woman in any field; that keeps women from speaking up and from being heard when they dare; that crushes young women into silence by indicating, the way harassment on the street does, that it is not their world.

Solnit argues that our world operates on a false hierarchy—that the male voice always reigns supreme, that it possesses an unshakeable knowledge of the world, while the female voice is always up for debate, always questionable, always weak.

To prove the global consequences of female silencing, Solnit provides a poignant and dangerous example in the form of the male-dominated American government’s inability “to hear Coleen Rowley, the FBI woman who issued those early warnings about al-Qaeda.” She argues that much of the “trajectory of American politics since 2001” was informed by this male assumption that the instinct, knowledge, and tact of a woman is inherently wrong and untrustworthy.

Despite her frequent examples of female silencing, it becomes clear that Solnit’s essay is meant to directly combat a world that wishes for her, and for women everywhere, to remain on the sidelines of social, political, and economic discourse. Solnit follows each example of silencing with a counterargument, actively demonstrating her refusal to be ignored. Following the publication of her book River of Shadows, “A British academic wrote in the London Review of Books with all kinds of nitpicking corrections and complaints . . . He carped, for example, that to aggrandize Muybridge’s standing [Solnit] left out technological predecessors like Henry R. Heyl.” Solnit provides a direct rebuttal: “He’d apparently not read the book all the way to page 202 or checked the index, since Heyl was there.” Her essay is a powerful act of reclaiming her own voice.

Violence Against Women and Gender Inequality

Solnit actively integrates real-world examples of violence against women to prove the dramatic consequences of privileging a male voice over a female one. Beyond her own personal experiences of gender inequality, Solnit turns to the political:

More extreme versions of our situation exist in, for example, those Middle Eastern countries where women’s testimony has no legal standing; so that a woman can’t testify that she was raped without a male witness to counter the male rapist. Which there rarely is.

Her example effectively demonstrates a not uncommon underlying assumption about women: that they are less-than and that they cannot and should not have control over their own bodies. While she acknowledges that this example is extreme, Solnit includes it to emphasize that when we silence a woman’s voice, we silence her self, her soul, in its entirety.

This disrespect of the female voice and a dismissal of the concerns a woman has over her own safety happens in the United States, too. Solnit writes that “Even getting a restraining order—a fairly new legal tool—requires acquiring the credibility to convince the courts that some guy is a menace and then getting the cops to enforce it. Restraining orders often don’t work anyway.” These legal hoops through which a woman...

(The entire section contains 1014 words.)

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