Further Reading
- Avery, Laurence G., "Maxwell Anderson and Both Your Houses," North Dakota Quarterly 38, no. 1 (winter 1970): 5-24. (Discusses Anderson's later revised version of his play Both Your Houses, which has never been available in print.)
- Gilbert, Robert L., "Mio Romagna: A New View of Maxwell Anderson's Winterset," North Dakota Quarterly 38, no. 1 (winter 1970): 33-43. (Argues against prevailing critical assessment that Winterset is not a revenge play, and focuses on the character Mio's development throughout to show the progression of his actions.)
- Hershbell, Jackson K., "The Socrates and Plato of Maxwell Anderson," North Dakota Quarterly 38, no. 1 (winter 1970): 45-59. (Explores Anderson's portrayal of Socrates and Plato in Barefoot in Athens.)
- Luckett, Perry D., "Winterset and Some Early Eliot Poems," North Dakota Quarterly 48, no. 3 (summer 1980): 26-37. (Traces thematic similarities between Anderson's sense of alienation and lack of social integration in Winterset and the early poetry of T. S. Eliot.)
- Matlaw, Myron, "Alan Paton's Cry, the Beloved Country and Maxwell Anderson's/Kurt Weill's Lost in the Stars: A Consideration of Genres," Arcadia: Zeitschrift fur Vergleichende Literaturwissenschaft 10 (1975): 260-72. (Discusses fundamental generic differences between Alan Paton's novel Cry, the Beloved Country and Anderson and Weill's musical play version, Lost in the Stars.)
- Shivers, Alfred S., The Life of Maxwell Anderson, Briarcliff Manor, N.Y.: Stein and Day, 1983, 397 p. (Biography that traces Anderson's life and career.)
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