Max Ophuls Criticism
- Introduction
- Principal Works
-
Essays
- Ophuls and the Romantic Tradition
- Max Ophuls
- The Mastery of Movement: An Appreciation of Max Ophuls
- Script to Screen with Max Ophuls
- An introduction to Max Ophuls
- Madame de: A Musical Passage
- My Favorite Movie—Madame de
- The Aptness of Terminology: Point of View, Consciousness and Letter from an Unknown Woman
- Narrative, Spectacle, and the Sexes in Ophuls' Le Plaisir
- Lisa, Lola, and L: The Woman Unknown as the Woman Immortal in Ophuls and Robbe-Grillet
- Maupassant and Ophuls: The 'Real' and the 'Ideal' in 'La Maison Tellier' (Le Plaisir)
- Max Ophuls's Letter from an Unknown Woman
- Time and Desire in the Woman's Film
- Reading Ophüls reading Schnitzler: Liebelei (1933)
- Ophuls and Authorship: A Reading of The Reckless Moment
- The Abstraction of a Lady: La Signora di tutti
- Lucia Harper's Crime: Family Melodrama and Film Noir in The Reckless Moment
- Masochistic Performance and Female Subjectivity in Letter from an Unknown Woman
- From Der Reigen to La Ronde: Transposition of a Stageplay to the Cinema
- Further Reading