Max Frisch Criticism
- Frisch, Max (Vol. 14)
- Frisch, Max (Vol. 9)
- Frisch, Max (Vol. 18)
- Frisch, Max (Vol. 3)
- Frisch, Max (Rudolf)
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Frisch, Max
- Introduction
- Principal Works
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Criticism
- Homo Faber, Homo Ludens, and the Demeter-Kore Motif
- Montauk: The Invention of Max Frisch
- Brecht and Frisch: Two Theaters of Possibility
- Alpine Adventures: Some Thoughts on Max Frisch's Antwort aus der Stille
- Archetypal Imagery in Max Frisch's Homo faber: The Wise Old Man and the Shadow
- Hades Revisited: Max Frisch's Triptychon
- Max Frisch Revisited: Blaubart
- From Utopia to Eschatology: The Road of the Thinker Max Frisch
- Retreat into Prehistory
- ‘I Have No Language for My Reality’: The Ineffable as Tension in the ‘Tale’ of Bluebeard
- The American Character James Larkin White in Max Frisch's Stiller
- Max Frisch
- The Victim and Catharsis
- Bluebeard and The Bloody Chamber: The Grotesque of Self-Parody and Self-Assertion
- Aesthetic Records: A Comparison of Max Frisch's Tagebuch 1946-1949 and the Diary of Kenkō
- Max Frisch: The Courage of Failure
- Volker Schlöndorff's ‘American’ Film Adaptation of Max Frisch's Homo faber
- Man the Maker: Max Frisch's Homo faber and the Daedalus Myth
- The Green Bildungsroman
- Max Frisch, Sketchbook 1946-1949: Tunnel Vision, Twofold View
- Further Reading