Mavis Gallant Criticism
- Gallant, Mavis (Vol. 7)
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Gallant, Mavis (Vol. 172)
- Introduction
- Principal Works
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Criticism
- In a Strange Land
- Touring the City of Light
- Review of Overhead in a Balloon
- An Interview with Mavis Gallant
- A Quartet of Storytellers
- A Canadian in Paris
- Quite Wise During the Events
- The Sly Subtleties of Mavis Gallant
- Heresy and Other Arts: A Measure of Mavis Gallant's Fiction
- Popular Culture and Political Consciousness in Mavis Gallant's My Heart Is Broken
- Partners That Do Not Change Enough
- Missing Connections
- Bridges and Chasms: Multiculturalism and Mavis Gallant's ‘Virus X.’
- ‘Small Lives of Their Own Creation’: Mavis Gallant's Perception of Canadian Culture
- Structural Patterns of Alienation and Disjunction: Mavis Gallant's Firmly-Structured Stories
- Exile in the Spotlight: Honoring a Master of the Modern Short Story
- Gallant Language
- Review of Across the Bridge
- Family Secrets
- Review of Across the Bridge
- Maps Can Only Show So Much
- Review of Across the Bridge
- Mavis Gallant: The Art of Fiction CLX
- A Gallant Storyteller
- Mavis Gallant: An Oeuvre Extraordinaire
- Rara Mavis
- Brownout in the City of Light
- New Yorker Writer's Miniature Novels
- Review of The Collected Stories of Mavis Gallant
- A Climate of Mind
- The Language of Her Imagination
- Celebrating Mavis Gallant
- The Life of Henry Grippes
- Selected Gallant
- Reading Mavis Gallant's 1940s in the 1990s: ‘The Fenton Child.’
- ‘Voice Is Everything’: Reading Mavis Gallant's ‘The Pegnitz Junction.’
- Further Reading
- Gallant, Mavis (Vol. 18)
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Gallant, Mavis
- Introduction
- Principal Works
-
Criticism
- Mavis Gallant and the Fascism of Everyday Life
- The Art of the Narrator in Mavis Gallant's Short Stories
- Creating to Dissect: Strategies of Character Portrayal and Evaluation in Short Stories by Margaret Laurence, Alice Munro and Mavis Gallant
- Mavis Gallant's Apprenticeship Stories, 1944-1950: Breaking the Frame
- The ‘Home Truth’ about Home Truths: Gallant's Ironic Introduction
- Gallant's Sad Stories
- Spatial Patterns of Oppression in Mavis Gallant's Linnet Muir Sequence
- Remittance Men: Exile and Identity in the Short Fiction of Mavis Gallant
- Mavis Gallant's Stories of the 1950's: Learning to Look
- Review of The Collected Stories of Mavis Gallant
- Text and Image: Overhead in a Balloon
- ‘Pichipoi’ in Mavis Gallant's ‘Malcolm and Bea’
- Genre Transgressions and Auto/Biography in Mavis Gallant's ‘When We Were Nearly Young.’
- Towards an Illumination of Gallant's Late Fiction
- ‘Radiant Paradigms and Chinks of Light’: Mavis Gallant's Polish Émigrés in Paris
- The Wounds of Memory: Mavis Gallant's ‘Baum, Gabriel (1935- ),’ National Trauma, and Postwar French Cinema
- Further Reading