Summary and Analysis: Chapter 13
New Characters
Master: Currently in the psychiatric clinic with Ivan, he has written a novel
about Pilate and Yeshua.
Master’s lover (also known as Margarita): Lives with the master in a basement apartment.
Summary
Ivan’s visitor is a dark-haired man, approximately thirty-eight years of age.
He explains that he has gained access to the clinic’s common balcony by
stealing some keys and could escape, but stays at the clinic because he has
nowhere to go. Ivan confesses to this visitor that his poetry is bad and
promises not to write any more poems. The visitor tells Ivan that Bosoy has
arrived in room 119 cursing Pushkin and insisting that “unclean powers” live in
apartment 50. Ivan tells the visitor he is in the clinic because of the story
about Pilate and Berlioz’s death, and the visitor tells Ivan that the professor
at Patriarch’s Ponds was actually Satan. Ivan, as his former self, tells the
visitor they should try to catch Woland, and the visitor informs Ivan he has
written a novel about Pilate, which is why he is in the clinic. Identifying
himself as “a Master,” he tells Ivan he had won 100,000 rubles in a lottery and
used the money to rent a basement apartment and write his novel. The master
continues telling a story about his past: one day, he met a woman carrying
repulsive yellow flowers in her hand on Tverskya Boulevard and fell in love
with her. However, both the master and she were married, so they met secretly
every afternoon in his apartment. She urged the master to keep working on his
novel, but it was rejected by publishers, and two critics wrote articles
attacking the manuscript. However, the article by the critic Latunsky was the
most savage attack of all, and the master became mentally ill from his
struggles. One day in mid-October his lover urged him to travel to the Black
Sea. He gave her 10,000 rubles to keep until he departed, and she promised to
return to the master the next day. That night, he set out to burn his notebooks
and manuscript but was interrupted by a visit from his lover. She rescued one
chapter of the novel from the fire, and she vowed to tell her husband about the
affair and stay with the master permanently. She also promised him she would
return in the morning. After the master retreats to the balcony and tells Ivan
room 120 is now occupied by Georges Bengalsky, he continues the story, which
has shifted to mid-January. In the intervening three months, the master was
held by the police. On a cold night after his release, the master set out on
foot for the psychiatric clinic, and was picked up by a truck driver, who took
him to it. Having finished his story, the master leaves Ivan’s room and says he
cannot tell any more of the story of Yeshua and Pilate, which, in ay case,
would be better told by Woland.
Analysis
The master’s appearance provokes Ivan, like Riukhin, to dismiss his poems as
worthless, but he, unlike Riukhin, resolves to abandon further poetic effort.
Ivan’s honesty wins him the master’s confidence and advice. As he points out,
Ivan’s inability to identify Satan shows how odd and illusory life in Moscow
is. The populace, which has throughout the novel made the devil part of
everyday conversation, is unable to identify Satan when he actually
appears.
In contrast to Ivan’s meekness and willingness to obey others, the master, as he tells Ivan, firmly set out to write his novel about Pilate by himself and...
(This entire section contains 705 words.)
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quickly realized he loved the woman with the yellow flowers. Their devotion to each other and the Pilate novel sets them apart from ordinary Muscovites, but the master is punished by the Communist literary establishment for writing his novel. In burning his manuscript, the master submitted to this official judgment, but his lover proved more courageous in her support for him. The master, though, is at least aware of his fear, and is aware that things may still change. It seems his appearance has somehow changed Ivan, though it remains to be seen exactly how and in what ways.