a white boy, Hally, standing with eyes downcast in the center with two black men, Sam and Willie, standing on either side of him

"MASTER HAROLD" . . . and the Boys

by Athol Fugard
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Critical Context (Masterplots II: Juvenile & Young Adult Literature Series)

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Last Updated on June 22, 2015, by eNotes Editorial. Word Count: 131

The themes of coming-of-age, racial tensions, and parental conflict in “MASTER HAROLD” . . . and the Boys have much in common with Mark Twain’s Adventures of Huckleberry Finn (1884). Its political messages and critique of apartheid fit with Athol Fugard’s other works, especially The Blood Knot (1961), in which two men—one black and the other white—are half brothers. Fugard’s dramatic style is similar to that of Samuel Beckett, Harold Pinter, and other existential playwrights.

“MASTER HAROLD” . . . and the Boys was first produced at the Yale Repertory Theater on March 12, 1982, and a television version was produced soon after. Although suitable for mature high school students, this play is taught primarily in undergraduate college classes. Deeply rooted in South African culture and politics, it can be used in literature or history classes.

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Critical Context (Comprehensive Guide to Drama)