Mary Renault is a highly intuitive Englishwoman who writes simple, lyrical prose, and whose portrait of the mental digressions of her characters in the course of a love affair can be as relentless as if she were following the trail of a hunted fox….

["North Face"] is as English to the core as the wooded and mountainous North Devon country in which the story is shrouded, so much so that it is difficult for an American reader to become interested at first in the inhabitants of the seaside guest house where Neil Langton goes to reflect on his ravished past. (p. 11)

As characters, both the forthright nurse and the woman teacher, who hides from her mind the grosser aspects of life, are as fully drawn as Neil and his Ellen. They are both admirable human beings, in their different ways, and their frustrations, since marriage and sex have passed them by, are as appealing to the reader's sympathy as the more tempestuous passions of the lovers. This kind of psychological novel, however poetically and sensitively written, inevitably contains some of the grosser aspects of the common mystery story. The villains are the neuroses hiding in the depths of the minds of hero and heroine, to be tracked down and put away safely in a cell like so many criminals. In real life they might eventually escape, larger and more menacing than ever. A part of Miss Renault's art is to convince the reader that there is only happiness in store for her tortured lovers. (p. 12)