Mary E. Wilkins Freeman Criticism
- Introduction
- Principal Works
-
Essays
- Mary Wilkins Freeman
- Subdued Meaning in ‘A New England Nun’
- The Great Goddess in New England: Mary Wilkins Freeman's ‘Christmas Jenny’
- The Artistry of Mary E. Wilkins Freeman's ‘The Revolt’
- Mary E. Wilkins Freeman and the Tree of Knowledge
- The Haunting Will: The Ghost Stories of Mary Wilkins Freeman
- Signs of Undecidability: Reconsidering the Stories of Mary Wilkins Freeman
- About ‘Two Friends’ and Mary Eleanor Wilkins Freeman
- Frontiers of Language: Engendering Discourse in ‘The Revolt of Mother’
- The ‘Faces of Children That Had Never Been’: Ghost Stories by Mary Wilkins Freeman
- Beyond Stereotypes: Mary Wilkins Freeman's Radical Critique of Nineteenth-Century Cults of Femininity
- The Subversion of Genre in the Short Stories of Mary Wilkins Freeman
- Pieces: Artist and Audience in Three Mary Wilkins Freeman Stories
- Another Mary Wilkins Freeman: Understudies and Six Trees
- Redefining Place: Femmes Covert in the Stories of Mary Wilkins Freeman
- New England Gothic by the Light of Common Day: Lizzie Borden and Mary E. Wilkins Freeman's ‘The Long Arm’
- ‘I Never Say Anything at Once So Pathetic and Funny’: Humor in the Stories of Mary Wilkins Freeman
- Must Age Equal Failure?: Sociology Looks at Mary Wilkins Freeman's Old Women
- Further Reading