Mary Barton Criticism
- Principal Works
- Introduction
-
Essays
- The First Novel
- Mrs. Gaskell's Reading: Some Notes on Echoes and Epigraphs in Mary Barton
- Mrs. Gaskell and Brotherhood
- The Social Conscience
- The Writer as Reader in Mary Barton
- Mary Barton: The Condition of the Working Class in Manchester
- Mary Barton: A Revaluation
- The Early Industrial Novel: Mary Barton and Its Predecessors
- Spectres and Scorpions: Allusion and Confusion in Mary Barton
- The Industrial Scene—First Reactions: Mary Barton
- Mary Barton (1848)
- Bakhtinian Polyphony in Mary Barton; Class, Gender, and the Textual Voice
- Texts Which Tell Another Story: Miscommunication in Elizabeth Gaskell's Mary Barton
- Mary Barton and the Community of Suffering
- A Monstrous Reading of Mary Barton: Fiction as ‘Communitas.’
- The Deep Romance of Manchester: Gaskell's Mary Barton
- Mary Barton: Colors of Alienation and Harmony
- Working Class Masculinities in Mary Barton
- From Elizabeth Gaskell's Mary Barton to her North and South: Progress or Decline for Women?
- Further Reading