Martin Scorsese Criticism
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Scorsese, Martin (Vol. 89)
- Introduction
- Principal Works
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Criticism
- Who's That Knocking at My Door?
- A review of Boxcar Bertha
- Season's End
- Heroines and Their Hairdresser
- The Power and the Gory
- Beauties and the Beast
- New York, New York
- New York, New York
- Raging Bull
- Hell Up in the Bronx
- Grating Comedy
- The Sacraments of Genre: Coppola, DePalma, Scorsese
- Where Angels Fear to Tread
- Once a Contender
- Scorsese on Scorsese
- Living Cinema—The Passion of Martin Scorsese
- Spirit and Flesh
- Goodfellas
- Southern Discomfort
- An introduction to Martin Scorsese: A Journey
- Martin Scorsese's America
- The Scorsese Picture: The Art and Life of Martin Scorsese
- The Age of Innocence
- Entrapment: Scorsese Meets Wharton
- Further Reading
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Scorsese, Martin (Vol. 20)
- Introduction
- Scorsese's 'Who's That Knocking at My Door'
- 'Who's That Knocking at My Door?'
- 'Street Scenes 1970'
- Films: 'Mean Streets'
- Mean Streets
- 'Mean Streets': The Sweetness of Hell
- 'Alice Doesn't Live Here Any More'
- The Hausfrau, the Ugly Duckling, and the Funny Lady
- Transcendental Pornography and 'Taxi Driver'
- Hell on Wheels
- The Fever Breaks
- Nobody Lives Here Any More
- 'Taxi Driver'
- 'Who's That Knocking at My Door'
- Nostalgic Doings
- 'New York, New York'
- Film Reviews: 'New York, New York'
- 'The Last Waltz'
- There's No Place Like Home Movies
- Martin Scorsese's Elegy for a Big-Time Band
- The Whiz Kids
- "Raging Bull': Almost a Champeen"
- Look Back in Anger
- Religious Pulp, or the Incredible Hulk
- Expressions of the Streets: Martin Scorsese
- Michael Powell